A Quote by Alejandro Gonzalez Inarritu
I can't imagine David Lean justifying why he went to the desert to shoot 'Lawrence of Arabia.'
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I never met Peter O'Toole, but he one was of those rare actors whose success was defined by a single role. His incandescent performance in David Lean's 'Lawrence of Arabia' is one that nobody who saw it will ever forget.
I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
I've been on camels before, lumbering slowly through the desert - not hugely exciting, but I enjoyed the 'Lawrence of Arabia' vibe.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely.
I can't see any reason why a dramatic story can't be in 3-D. I think 'Lawrence of Arabia' would have been fabulous in 3-D.
The thing about America - it's different everywhere, but visually, it's amazing to shoot in the desert in the New Mexico light. It's really hard to shoot in that desert and make anything look not amazing.
I'm not a fan of justifying bad behavior or justifying why people are the way they are. I think that's a cop out. I don't have a lot of empathy for that.
Lawrence of Arabia, British Beatlemania.
Lawrence of Arabia is the ultimate movie, deeply cinematic.
Americans want to democratise us. OK, but why not go and democratise Saudi Arabia. Are we anything like Saudi Arabia? No, we are far from that. So why aren't they democratising Saudi Arabia? Because they are bastards, but they are their bastards.
Like so many Boomers, I saw 'Lawrence of Arabia' in 1962 when it was first released and when we were young teenagers. I'm not quite sure why - I really wish some psychologist would explain this - but that movie had a tremendous effect on many of us.
one way to keep people close to you is by not giving them enough. ... with people who give a lot of themselves, you sometimes lean back - but with people who give little you often lean forward, as if they're a spigot in the desert and you're the empty cup. It is the tropism of deprivation: We lean toward those who do not give.
Like so many Boomers, I saw Lawrence of Arabia in 1962 when it was first released and when we were young teenagers. Im not quite sure why - I really wish some psychologist would explain this - but that movie had a tremendous effect on many of us.
If this were so; if the desert were 'home'; if our instincts were forged in the desert; to survive the rigours of the desert - then it is easier to understand why greener pastures pall on us; why possessions exhaust us, and why Pascal's imaginary man found his comfortable lodgings a prison.
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