A Quote by Alejandro Gonzalez Inarritu

The way I put together images is a reactive art. — © Alejandro Gonzalez Inarritu
The way I put together images is a reactive art.
In some areas, [Getty Images has] more images than the rest of the market put together. But libraries are being built up at a terrific pace. A photographer in a lifetime will produce maybe a million images, and there are about 15,000 professionals at work out there.
The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.
Cutting out images you like from art books and framing them is a great way of getting beautiful works on your wall. You can also frame magazine images or pick up inexpensive art at museum gift shops.
A number of images put together a certain way become something quite above and beyond what any of them are individually.
I love telling stories. And even in single images, I tend to have stories inside them. I've always loved film, but I was making drawings and paintings and photographs. And you put art and narrative together, and that really is comics.
It's interesting to think about connecting the dots within an archive in a different way than linearly or teleologically. It's a great delight to make art or use language or just have ideas, and put them together in a very unexpected way. Art gets categorized historically, geographically, by medium, not necessarily by concept or repeating imagery, or feminism or femininity.
Art is personal, originating from dreams, ideas, neuroses; art is shared, harkening back to the humans around the fire; art imbues pleasure and power by enabling people to know reality...Art is a necessity because it is a way of knowing...Is the need for truth physiological? Art exists out of time...images may be different bu there is always a repetition- a thread.
I don't digitally manipulate my images, because I am interested in the spontaneous act of creating images without forethought. I know many artists start with an idea in mind, and then they put it on paper. I don't work that way.
I put together the influences of my life in as clear a way as I possibly can, in the same way that Beethoven or Schoenberg or Bach put their influences together.
The voice of painterly integrity spoke to me. And the idea was that one would find this anguish, or whatever, and construct it into images that would appear. You already feel very ill and you're trying to put this riddle together because it is the prescription for health. I believe in art as a spiritual health-giving process, not just some style.
I can be pretty reactive, and I've learned over time to be less reactive: to stop and think before I make decisions.
If you are a plumber, there is an objective way to establish whether you put together a great piping system or not. Art is a bit more slippery than that.
I think that whenever you feel reactive or are being reactive as opposed to proactive, that inherently - consciously or subconsciously - creates a lot of stress.
What I really appreciated about Obama in the last campaign was that he was not reactive, and we're such a reactive culture... It takes a certain strength to be patient and have a plan.
All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
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