A Quote by Alejandro Gonzalez Inarritu

All my films have always been released in the autumn, maybe because they're more melancholy to people. — © Alejandro Gonzalez Inarritu
All my films have always been released in the autumn, maybe because they're more melancholy to people.
Sometimes people are surprised to learn that most of the films I've made don't work. They've been released but nobody has ever seen them. Maybe 40 percent of them are very successful. That's a very high percentage; most people have maybe 10 or 15 percent of their films work.
A strangely reflective, even melancholy day. Is that because, unlike our cousins in the northern hemisphere, Easter is not associated with the energy and vitality of spring but with the more subdued spirit of autumn?
A strangely reflective, even melancholy day. Is that because, unlike our cousins in the northern hemisphere, Easter is not associated with the energy and vitality of spring but with the more subdued spirit of autumn.
I've always had the perspective that roles come into my life when I need them most and sort of teach me lessons. The same can be true of films, films are released into society to aid in a lesson, inspire people, comfort people.
I'm the joke of the family with cooking because I've never done it - primarily because I've been surrounded by people who are so good at it. Mum's brilliant. Boyfriends have always been good at it. I'm waiting for my inner chef to be released.
While we only look at Nature it is fair to say that Autumn is the end of the year; but it is still more true that Autumn is the beginning of the year.... Autumn is the time when in fact the leaves bud. Leaves wither because winter begins; but they also wither because spring is already beginning, because new buds are being made, as tiny as percussion caps out of which the spring will crack.... It is only an optical illusion that my flowers die in autumn; for in reality they are born.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I long for the bulbs to arrive, for the early autumn chores are melancholy, but the planting of bulbs is the work of hope and is always thrilling.
Sometimes, I shot for four films but none of them released because of various reasons. So, I started becoming conscious about the kind of films I do.
I love the autumn for its sense of melancholy
You know, it's not my film [Valerian], it's really their film. It's very strange. And maybe because it's more when you comes to the Marvel films it's way much more organized and plan, you know, they planned. Okay, we have Thor here, we have this and then we do The Avengers, and then we group. You know, it's much more organized. So maybe there is a little less freedom at the end for the creative people. Where I did the entire opposite. I let them help me, you know. So that's also why maybe they were so involved.
It's true, there's a lot of melancholy in my music. I don't know why, I'm not a melancholy person. I've always been drawn to it. Ever since I was a kid, if I had an album I would play the ballads on repeat.
Usually the films that I do are released theatrically in foreign markets. In the U.S., they're either picked up as HBO premier films or Showtime first-runs. In today's market, in America, you need at least $50 million for your budget to go to the big show, and I'm not quite there yet. But keep watching - maybe someday I will be.
Since childhood I've always had a tendency to lean towards melancholy. My sisters suffer from it too, so maybe it's a genetic thing. But none of us has ever been on medication.
This site uses cookies to ensure you get the best experience. More info...
Got it!