A Quote by Alejandro Gonzalez Inarritu

Every time that I'm challenged with a film I think that I haven't learned anything, that every film is different and that every thing that I have learned is useless in this new adventure.
All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.
How do I define who Usher is? I'm still doing it - every day, every new opportunity, every stage, every interview, every other thing that I've done, every time that I've invested in anything that is all the definition of who I am.
That's what I love about film scoring. Every situation is new. Every show is a new adventure.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
It's a pretty crazy adrenaline rush because I feel like every run is different. You can never really expect anything. It's like a new adventure every time you drop into the pipe.
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
I want to bring something different to every film. I get a bit tired of actors who kind of are the same character in every film that they do.
Every new skill you learn, every adventure you go on, every new thing you try, it only makes you a better artist.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
Film school didn't prepare me for the fact that you have to manage so many different personalities at every stage, and I learned nothing about what to do when a movie was finished.
Having anything to do with a hit film is great. Even if you're a third assistant to the director or second to the editor, if the film does well, every technician, every actor benefits from it.
I suppose the biggest thing I learned is that I'm in it for the right reasons. I love my job as much now as when I first began. I still feel fully invested in every audition, every job - large or small, every appearance, every meeting with every fan.
I really learned a lot when I worked on my grandpa's film 'Twixt' and got to be with him start to finish and sit next to him every day. That was my film school.
Every frame of every film is from a particular time. So, if you make a film in 2017, the times can't not have a bearing.
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