A Quote by Alejandro Jodorowsky

I am not like Hitchcock, directing the reaction of the public or the audience. I don't like that. I think this is some kind of fascism - 'You need to react like that.' No. No. It's not like this; everyone needs to react as he can.
How would you feel if you had no fear? Feel like that. How would you behave toward other people if you realized their powerlessness to hurt you? Behave like that. How would your react to so-called misfortune if you saw its inability to bother you? React like that. How would you think toward yourself if you knew you were really all right? Think like that.
When I am talking to people from Germany, we should know that there are certain things and certain histories that are very important for people. If you look at all the Muslims living in the West, they didn't react in a violent way. They don't like what they saw but they are citizens like you and me and they look at it and say: "This is a silly video but we are not going to react."
I guess I have some kind of a visceral connection with drums. I'm looking to create music that people can react to viscerally, and people will respond to viscerally. I think that you can listen to music, to a song you've never heard before and not really like it, but also feel like you're responding to it physically whether you like it or not. I think that's a powerful aspect about music, and I think that's something that draws me to drums.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
This is no time to act like a gentleman. I am a cad and shall react like one.
I know it's going to sound like a cliché, but the key of successful playing a role is to sort of keep it real and earnest and react the way that one would react in those situations. Where the disconnect between the movie and the audience would happen is if you go too big or too crazy with that stuff.
I'll decide to do a movie and then go oh, like "Twilight" fans are probably going to react to this or whatever. But that's always an afterthought. Like I don't plan things out based on other people's opinions of how like I think they're going to receive them. I do it like for the experience.
A script narration is like watching a film, and I react to it like an audience with my own instinct. After that, I look for what is my character, what will I bring to the table in that role, how challenging will it be.
I just invite people to share a secret with me. It's not like I'm a psychiatrist who's going to react to it or a priest who's going to give you something to do. When you let it go, there's kind of this void and I think people like that.
Change no one. Change nothing. React to no one, react to nothing. Do not live in the past and do not, worry about the future. Stay in the eternal now, where all is well. After all you are me and I am you. There's no difference. Do not react to the world. Do not even react to your own body. Do not even react to your own thoughts. Learn to become the witness. Learn to be quiet.
I have always been amazed guys read my books and seem to enjoy them. Because I've raised boys, I like to think I can get inside a guy's mind. I try and make the boys talk like guys, sound like guys and react like guys.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.
Making a fantastical world real is a bit of a challenge, for sure. When you're on set and you have a green screen you're working with where you'll pretend there's a giant lizard chasing you when there's nothing there. Being shown the images of what the creatures were going to look like and then having to react to them realistically without feeling like you're a crazy person. You kind of have to go for it. In order to sell it to the audience, you can't really hold back.
Jesus explains that the church is like a hospital. But this hospital doesn't want to let any sick people in. I feel like people like that have had to lead these secret lives because they're so afraid of how people will react. I think we have to get to the point where we're restoring people and caring for them, and when they fall, we pick them up. My thing is that we need to love this guy and pray for him and his family and open our homes to him if need be. I don't know if he wants to come sleep on my futon here in Brooklyn, but he's welcome to if he'd like.
I always like to think of the audience when I am directing. Because I am the audience.
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