A Quote by Alex Colville
My painting occurs when I think of two disparate elements.
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When two seemingly disparate elements are imaginatively poised put in apposition in new and unique ways, startling discoveries often result.
A good impression is sort of a juxtaposition of disparate elements.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
To change your phrase somewhat, I know that I like an art where disparate elements form an entity.
Art's effect is due to the tension resulting from the clash of the collocation of elements of two (or more) systems of interpretation. This conflict has the function of breaking down automatism of perception and occurs simultaneously on the many levels of a work of art ... All levels may carry meaning.
I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
Thai food ain't about simplicity. It's about the juggling of disparate elements to create a harmonious finish. Like a complex musical chord it's got to have a smooth surface but it doesn't matter what's happening underneath. Simplicity isn't the dictum here, at all. Some westerners think it's a jumble of flavours, but to a Thai that's important, it's the complexity they delight in.
I don't think you really can send an exact message, because any two viewers are so disparate, in terms of their backgrounds, their point of view, their histories, that there's no telling what that message might be.
When I was doing just the underwater, I don't think people could relate to it at first. Then I added the land, which was a painting called, Two Worlds. For some reason that particular painting gave people something to hold onto.
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs. Feeling correct is a feeling I think everyone knows.
There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo.
Stories--individual stories, family stories, national stories--are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.
Gender is something that occurs in the mind, and sex is something that occurs, you know, everywhere else on the body. And whether or not those two things happen to align - well, if they do, great. If they don't, also great.
Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs.
