A Quote by Alex Cox

We hope to do the Spanish Tragedy based on the play by Thomas Kyd. — © Alex Cox
We hope to do the Spanish Tragedy based on the play by Thomas Kyd.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
Hope? Hope is not the absence of tragedy, my friend. It is the conviction that tragedy can be endured. Hope is the spark in you that is not subdued in the face of the vast and callous indifference of the universe. Hope is that which is not shattered by hardship. Hope is the urge to fight what is wrong even when you know it will destroy you. Hope is the decision to love and need someone knowing that they will one day die. For me to promise that there are no obstacles would be the cruelest lie I could possibly tell. That lie is not hope. Hope is the will which needs no lies.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
The whole music business in the United States is based on numbers, based on unit sales and not on quality. It's not based on beauty, it's based on hype and it's based on cocaine. It's based on giving presents of large packages of dollars to play records on the air.
Crime, violence, infamy are not tragedy. Tragedy occurs when a human soul awakes and seeks, in suffering and pain, to free itself from crime, violence, infamy, even at the cost of life. The struggle is the tragedy - not defeat or death. That is why the spectacle of tragedy has always filled men, not with despair, but with a sense of hope and exaltation.
The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.
We all need to stomp out balkanization. No Spanish radio stations, no Spanish billboards, no Spanish TV stations, no Spanish newspapers. This is America, speak English.
Singing in Spanish is much more honest, much closer to my roots. For me, Spanish is essential. I still think in Spanish, dream in Spanish. It's the melodies and arrangements that transmit meaning.
Science, we are repeatedly told, is the most reliable form of knowledge about the world because it is based on testable hypotheses. Religion, by contrast, is based on faith. The term 'doubting Thomas' well illustrates the difference.
I'm a junior, so my dad's name is Thomas Rhett Akins as well. So literally, from the day I was born, it was Thomas Rhett. It wasn't Thomas or Rhett, it was Thomas Rhett.
I probably prefer Spanish football to the others. It's very technical, the way they play; they keep the ball well, and whenever Spurs have played against Spanish teams in the past, they've always made it difficult for us.
More than just a moral issue, hope is a spiritual and even religious choice. Hope is not a feeling; it is a decision. And the decision for hope is based on what you believe at the deepest levels - what your most basic convictions are about the world and what the future holds - all based on your faith. You choose hope, not as a naive wish, but as a choice, with your eyes wide open to the reality of the world - just like the cynics who have not made the decision for hope.
Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world
I don't think I tell stories of tragedy. I think I tell stories of love. Even though you're full of tears, I hope that you leave the theatre with your heart feeling like it's going to explode out of your chest. And yes, you've been through the tragedy, but it's ultimately hope that I think you're left with.
I grew up, and my body was not like a Spanish player. I was tall. I had a powerful game; my arms were long, so I'm like, 'No, you can't play like Spanish players.'
Thomas is racing for it, but McCovey is there and can't get his glove to it. That play shows the inexperience, not on Thomas' part, but on the part of Willie McC ... well, not on McCovey's part either.
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