A Quote by Alex Cox
Because there is actually something very interesting in Goodfellas, how the style of the film changes as time goes by and based on the mental state of the protagonist.
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There's not a formula that I'm following; it's just how I feel at the time. For instance, I did a very experimental film called 'Hardcore Henry,' and that was simply because I thought the filmmaker was very interesting and a risk taker. A film like that had never been made before, so I chose to do that at the time.
I actually worry that we're so mindlessly following the herd on privacy and data being the principle concerns when the actual things that are affecting the felt sense of your life and where your time goes, where your attention goes, where democracy goes, where teen mental health goes, where outrage goes.
I'm very interested in the question of how we perceive something, how consciousness goes from one thing, like looking at you in your black hat to what it might mean to my imagination and how I would draw that or write that, how I would subjectify you? It's something that is endlessly interesting to me.
Feminism is something I think about more when I watch the film, Christine, rather than when I was actually doing it, to be honest with you. But I do think it functions as a sort of interesting feministic critique, because you are seeing a woman who's resolutely incapable of behaving like the kind of woman that's acceptable at the time. She doesn't know how to play the game by everyone else's rules, and it makes you realize that actually there were rules that were functioning for a woman to be a careerist.
Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
There's something about film that offers this opportunity to stick to a very, very clear single protagonist's point of view, and I like that.
Love is something that is very personal to each individual based on where they are in their lives. It fluctuates and changes over time.
Because my master was this renaissance man, I wasn't just learning a fighting style, I was learning how kung fu permeates all aspects of life, from eating to healthy living to mental state.
I have a limitless amount of great music at my disposal and it's very, very pleasurable because when the music goes on the film it's amazing how much it livens up the film and gives it an emotional kick in the pants, sort of.
You get very little from the studios anymore, it's all independent. And I think the studio, with the exception of something like The Social Network, a fine film, very interesting, but as for studio pictures, that's it, what else? There was more only a few years ago. So it changes, and I'm trying as much as I can.
When 'Goodfellas' is on TNT, and they've taken out all the curse words and put Tide commercials in the middle of it, I'll still watch 'Goodfellas' because it's that great of a movie.
There are mean people out there, and they're cruel, they're bullies to all kinds of people. Some are based in race; some are based in the way other people look; some of it's politically based. But there's all kinds of it. Everybody goes through life being tormented at times by something. Something as simple as just going through four years of high school can ruin somebody's confidence, just because of things that happened there. The key to it all is being taught how to deal with it and how to not let it mar your own opinion of yourself.
How often are you really realigning yourselves on strategy? And does it need to be faster, based on how quickly your market actually changes? The answer is usually yes.
I have become an adjective. There is something called a Rovian-style of campaigning and it's meant as an insult. One columnist said it consists mainly of throwing mud until it sticks. One prominent blogger described the elements of a textbook Rovian race as fear-based, smear-based and anything goes.
Women are far more likely to follow orders to evacuate, especially women with children. At the same time, women were much more likely to die during the South Asian tsunami. In some villages it was 3 to 1. And that was party because of the average strength it takes to hold onto something. Also it was cultural; women were less likely to know how to swim, as were children. So much of this is based on how we develop our own survival skills before something goes wrong: Even if nothing goes wrong, it might be good to know how to swim.
I really loved ["The Love Affairs of Nathaniel P" by Adelle Waldman]. It's having a really hot moment. Unlike many hot books, it's actually really wonderful. I tend to have that reaction: I don't want to read it if everyone thinks it's cool. It was a really interesting insight into being young and male. Now that made me feel really thankful for my boyfriend and really thankful because he wasn't like that protagonist, but I know so many people who are like that protagonist.
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