A Quote by Alex Cox

Unfortunately my career began in Hollywood, doing a negative pickup for Universal pictures. — © Alex Cox
Unfortunately my career began in Hollywood, doing a negative pickup for Universal pictures.
... I began showing the black border of the negative as part of the image, something I'd never done before. I began to realize that the edge of the negative represents the shadow of the camera, the opaqueness of matter. It casts a shadow on the negative, so it's a photogram as well.
I did Kannada when I was in college. I wasn't even sure of what I was doing. I started figuring out my career in acting when I began doing Telugu and Tamil films.
As a young pianist in Hollywood, I began orchestrating for others, and I just felt really comfortable doing that.
The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted
Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.
I started off and I didn't have the advantage like other fighters of having an amateur career to grow and learn and make mistakes. Unfortunately, I spent the early years of my professional career doing that, and I feel like I've learned from all those mistakes.
I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
Our film society back home is so different from here. Making a movie is universal. Directing a movie is universal; it's a universal language. It's just figuring things out and understanding the codes and how the system of Hollywood compares to that of Norway. We don't even have agents. There's no studio system, no managers.
Like in [the 1950s] if you wanted to ruin someone´s career in Hollywood you claimed he was a Communist. Nowadays, you want to ruin someone´s career in Hollywood, you claim they are Republican.
I began as a model, but that did not really hold my interest for too long! I believe I stood out from the parade of models trying to make it in Hollywood, which helped launch my career beyond the one-night-stand horror movie.
around 1977 I became very ... negative, I began to do things unconsciously that I didn't understand, and they were very sabotagistic and I didn't know what I was doing. I was pissing everybody off, I was breaking my bridges. I was hostile to people, I was doing performances and insulting people there - I was doing whatever I could to destroy whatever world I had created ten years before, without knowing, really, why
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.
I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.
Film is universal. All the countries of the world are making films. Hollywood is the only major unsubsidized center for films. To my knowledge all others are at least partially subsidized. I'm glad Hollywood isn't.
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