A Quote by Alex Gibney
I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What motivates me is usually abuse of power.
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The amazing thing about the winners is that none of them really felt that they were doing anything special. They just felt like it was the right thing to do.
I am aware of the technical distinction between ‘less’ and ‘fewer’, and between ‘uninterested’ and ‘disinterested’ and ‘infer’ and ‘imply’, but none of these are of importance to me. ‘None of these are of importance,’ I wrote there, you’ll notice – the old pedantic me would have insisted on “none of them is of importance”. Well I’m glad to say I’ve outgrown that silly approach to language
I'm now a pretty good mix of my mother and my stepfather because I'm in general pretty mellow. I'm not hyper-emotional. But there's also this side of me - my mother was an artist and very funny and a dancer and very wild and into fashion. My stepfather traveled a lot, and I kind of took on a role of parenting my mother a lot of times, because she was pretty hard to handle. A bit of a pistol.
My mother and stepfather were in Vaudeville. And my stepfather was an alcoholic. It was a lot of roller coaster times. But it's all I knew. I think they did the best they could under the circumstances, with me and all the family.
The thing is, right now the films don't need to be overtly political to be about our times. We also need films that are just human, that are about people. People need that, too. It's like we need to reconnect to what it is to be human. Not just what our political situation is. That's not what I'm thinking about exclusively. Human content is needed again, as it was in the '70s. I think films were more human than they've been since then.
People standing up and saying, 'This isn't right,' is certainly a quality I admire in specific circumstances. There are people who do that and have a different set of politics, and then I don't necessarily agree with what they're doing and why they're doing it. But the act in and of itself of saying something is wrong and standing up for what they think is right is something I generally admire.
I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.
A very tall man once asked a question after my talk. Before beginning his question, he explained that the reason he was standing up is not to be intimidating but rather to make eye contact. His question was essentially "are we really interested in moral motives? Isn't it all about action?". I pointed out to him that it was not enough for him to do the right thing - stand up - but he also wanted me to know that he is doing it from the right motive or for the right reason - to make eye contact, rather than to be intimidating. Voila, moral psychology.
If I could only have one thing in life, it would be for my sons to grow up to become quality men who are interested in doing the right thing. I want them to be highly moral people who care about what is happening in the world around them. The best way to do that as a parent is to set the right example. That's what I try to do.
My mother really was an extraordinary, inspirational, tough, cool, sexy, funny woman and that's the kind of woman I've always surrounded myself with. It's my friends, particularly my wife, who is not only smarter than and stronger than I am but, occasionally taller too. I think it all goes back to my mother. My father and my stepfather prized whit and resolve in the women they were with above all things. And they were among the rare men who understood that recognising somebody else's power does not diminish your own.
Political realism is aware of the moral significance of political action. It is also aware of the ineluctable tension between the moral command and the requirements of successful political action. And it is unwilling to gloss over and obliterate that tension and thus to obfuscate both the moral and the political issue by making it appear as though the stark facts of politics were morally more satisfying than they actually are, and the moral law less exacting than it actually is.
I remember I always felt much more safe standing up on a chair and singing in front of my mother than I was in front of my father!
My mother saw her mother... her father walked out when they were very young and it was a lot of, I'd say more verbal abuse than physical, but it was the same. And my mother, back in the 70s, became an advocate for victims of domestic violence way before anybody in the Legislature was talking about it.
As an element in human progress, the right of private property, in importance, has taken first and almost only place in the current systems of law and of political economy. While admitting its great importance, we cannot conceal the fact that the writers on those subjects have wholly failed to distinguish between its use and its abuse, or to recognize its rational and equitable limits.
The vermin explain their sin with sanctimonious language like, "We've prayed about it and sought counsel, and we feel it's the right thing to do." Don't let it down on them that to the Enemy what they feel is inconsequential. His moral laws don't give a rip about how any of them feel. The sludgebags have no more power to vote them in and out of existence than they have power to revoke the law of gravity.
I don't think that what I'm doing [political cartooning] is necessarily left versus right. What I'm addressing is top versus bottom. If I'm not spending a lot of time making fun of the more extreme elements of the Green Party, it's because what I do is to critique power.
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