A Quote by Alex Gibney
With every project I start out on, there's no footage. It's always a big slog to find the footage.
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I watched her do speeches, but the only footage we could find of [princess] Margaret was archive footage, which was of her public presentation of herself.
It's funny; before I started writing professionally, I had a job logging video footage for behind-the-scenes footage for special features.
YouTube is found footage. It's here to stay, and people will always come up with new concepts that will make sense for found footage.
I was always looking at footage of dancers from Nicholas Brothers to Ralph Brown to Sand Man to Miller Brothers and Lois, and I grew up looking at old footage.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.
As for that footage, video footage showing the dead children allegedly killed in the chemical attack, it is horrible. The question is only who did it and what they did, and who is responsible for this. These pictures do not answer the questions I have just posed. There is an opinion that it's a compilation by these very rebels, who are connected with al-Qaida and who were always distinguished by exceptional brutality.
It's our job to get into the hardest-to-see places and bring back the best footage - we have the best footage of North Korea ever shot. If that's a stunt, then I'll keep on doing stunts until I die.
There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.
It has always been my aim to find that sort of passion and figure out how to transform it into cinema.Timothy Treadwell's footage was almost like a diary, and he had always dreamt of becoming the movie star in his own gigantic production.
There was no actually stock footage in "Medium Cool." I wrote the script. I wrote the riots. And I integrated the actors in the film in the park during the demonstrations. But nowhere was it like we had stock footage and then later, in editing, integrated it into the film. It was all done at the time.
Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, "What if this doesn't work? What if that doesn't work?" you want to cover yourself, you want to bring back enough [footage] so you can do something.
You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.
There has got to be a lot of unreleased video out there, live footage and whatnot. There's always going to be something extra for the Pantera fan.
Before GoPro, if you wanted to have any footage of yourself doing anything, whether it's video or photo, you not only needed a camera, you needed another human being. And if you wanted the footage to be good, you needed that other human being to have skill with the camera.
I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
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