A Quote by Alex Gibney

I think many articles in the New Yorker have a strong point of view, but they are so rigorously fact-checked. I wouldn't call them objective, but they feel fair. — © Alex Gibney
I think many articles in the New Yorker have a strong point of view, but they are so rigorously fact-checked. I wouldn't call them objective, but they feel fair.
I think that anyone who likes writing views 'The New Yorker' as the, you know, pinnacle of the publishing world. If you get 50 words published in 'The New Yorker,' it's more important than 50 articles in other places. So, would I love to one day write for them? I guess. But that's not my sole ambition.
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
It's useful to be born in a different culture because you see things that are not obvious. I come from France. In France, there isn't a pretense of objectivity in publishing. I discovered - and I don't agree with it - that in the US, the New York Times or The New Yorker has to pretend to be objective, and if they present this point of view then they have to also present the other side.
My point of view is that science is essentially private, whereas the almost universal counter point of view, explicitly stated in many of the articles in the Encyclopaedia, is that it must be public.
The debate about the war seems pretty robust and free. Many publications, from the New Yorker to the Nation, feel perfectly comfortable printing anti-American articles and that's fine. That's what the First Amendment is all about.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.
I'm a New Yorker. Matter of fact, the more I'm in places like Texas and California, the more I know I'm a New Yorker. I have no confusions. About that.
Many of the artists are not pretending to have an objective point of view. They're revealing the subjectivity.
every subjective phenomenon is essentially connected with a single point of view, and it seems inevitable that an objective, physical theory will abandon that point of view.
If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
Is it fair for the bears to come down to where humans live, looking for food? Is it fair for the Duke's soldiers to shoot at them? Is it fair for the bears to crush them with giant snowballs? Often, if you point out something that isn't fair, someone will reply, "Life isn't fair." What is to be done with such people?
I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.
I'm constantly saying, 'I read a fascinating article in 'The New Yorker'... ' I say it so often that sometimes I think I have nothing interesting to say myself, I merely regurgitate 'The New Yorker.'
I don't view Apple or myself as an activist. What we do is for some things where we think we have deep knowledge, or think we do, or a strong point of view, we're not shy. We'll stand up, speak out - even when our voice shakes.
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