A Quote by Alex Graves
There's always the pressure on the director of how to transition from one scene to another, especially when it can really be oblique on 'Game of Thrones.'
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Another mistake a director can make is not to be prepared, so you get there on the day to shoot the scene, and they don't know how it should be blocked, and they're not clear on how they want to do a scene.
It's very unusual on 'Game of Thrones' for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, 'Hey, we don't need this scene.'
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
I'm UCB trained - I came up learning about game, which is a really big part of the Upright Citizens Brigade theater. They teach you about game, and game in a scene is what makes the scene funny. And oftentimes, it's the character - this is really improv dorky stuff.
If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.
I always feel for the younger cast members in 'Game of Thrones.' They're really clever and smart.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
I'm interested is the oblique as a concept deeply connected to human lived experience, not separate from it. I was listening to an interview with film director Stephen Frears on NPR the other day and he said, "People's lives are never what you think they are," or something like that. Human lives are oblique. It makes sense to me that attending to them in language is as well.
The 'transition' involves the transfer of power from one president to another. In recent times, the incoming President has designated a Director of the Transition, a team leader, to oversee and administer the orderly transfer of power.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
There weren't any deleted scenes, it was just a matter of tightening stuff. I didn't have any deleted scenes in what I did as far as I know. It's very unusual on Game of Thrones for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, "Hey, we don't need this scene."
Buddhism, I think, is probably facing the single most difficult transition from one historical epoch to another, which is really the transition to modernity.
There's always pressure playing in the NHL. You want to play your best game every game. Expectations are always gonna be there; it's just important that you know how to handle expectations.
The most exciting thing about joining 'Game Of Thrones' is joining 'Game Of Thrones.'
Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you. Remember that, Sansa, when you come to play the game.” “What . . . what game?” “The only game. The game of thrones.” -(Littlefinger)
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