A Quote by Alex Kurtzman
The thing for me, and I can only really judge this by what I respond to myself as an audience member, I really only respond to a movie if I'm interested in the people who are in it. It's really that simple. If I'm not, then it's all noise.
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The Craft was what it was. People who respond to that movie respond to it really strongly.
The only thing that really matters in the initial part of my career, the worst mistake I've ever made was try to do things to please the audience thinking how the audience is going to respond if I do this.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
The only thing that you can do is do jobs and see if people respond to that. I'm always holding onto the fact that I don't really know who I am. Hopefully I won't compartmentalize myself because of that, because I'm completely ignorant of the whole.
Who are these people who are taking these decisions of casting only young actors in films? It is the filmmakers and the film producers. I don't know if that is what the audience wants because I really believe that masses respond to a good story.
The only thing that dictates whether I respond to someone is whether I have something interesting to say in return. I respond to people I don't know at all, when their tweet hauls a nice fresh bucket of water up out of me, but if it comes up empty then I just stay quiet.
Las Vegas has the type of audience - and they haven't changed since my father's days - they're still boring and bored. And there's only that handful of artists that they really enjoy and know how to respond to.
Anyhow, I've learned one thing now. You only really get to know people when you've had a jolly good row with them. Then and then only can you judge their true characters!
When God does a miracle somehow you have to respond. When God does things for you - maybe we don't deserve them and we can never really repay God but God really wants us to respond to them. He doesn't want us to stay the same. So, for us to respond to what God has done in our lives is probably the same way he would want anyone to do - "Just tell people what I've done for you and what you've seen and heard." That's what we're doing.
Attitude is really important to me and I talk about that with the players. Often players don't realise that if they've missed out on selection, the most important thing is how they respond to that. Of course they're going to be really disappointed, but if they're positive they're really supportive of the rest of the team.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I did this movie, 'A Walk Among the Tombstones' - I truly play a horrible, horrible individual in that - and I would occasionally go to the theater and watch what people's responses were, and they would laugh. He makes jokes, and people would respond to him in a human way. Then I've really done my job if I've humanized a really horrible person.
When you're playing rock music to 10,000 people, you almost attack the audience. When you play acoustic you're waiting for the audience to respond. It's a reverse energy, and you're more vulnerable. It's really intense.
When we're putting a record out I never ever consider how people are going to respond to anything. I only ever think about how I feel about it really, and as long as I feel I'm making the best record I possibly can where my head is at that time, then that's all that really matters.
Fundamentalist Muslim terrorists kill three thousand Americans, but America isn't supposed to respond, because if we respond, they'll respond. We always hear about 'karmic retributions' and the 'cycle of violence' only after we've been hit.
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