You start to learn that democracies don't work when it comes to artistic expression. You learn that if you don't handle your business, someone else is going to handle it and be sneaky about it, and put an extra dollar in their pocket. You learn all sorts of things you take to your next relationship. You're constantly learning about what you don't want to do, first and foremost, which leads you to what you do want to do.
A workable and effective way to meet and overcome difficulties is to take on someone else's problems. It is a strange fact but you can often handle two difficulties-your own and somebody else's-better than you can handle your own alone. That truth is based on a subtle law of self-giving or outgoingness whereby you develop a self-strengthening in the process.
As important as it is to learn the techniques of cinematography, you also have to learn how to deal with the movie set, with show business. I came up with a cinematographer who is very talented, but she was never quite able to handle everything else you have to do - dealing with the producer and the crew and the time frame that you have to follow.
It wasn't until after I received my education that I seriously looked at sports entertainment as a way to make a career for myself. And they've got to take it in stride. It's very much like acting or playing professional sports: One percent of one percent of the people who try out for it can actually say they make their living off of doing it.
With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
Many people dream about being an entrepreneur, starting their own business, working for themselves, and living the good life. Very few, however, will actually take the plunge and put everything they've got into being their own boss.
You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.
I just try to take everything in my stride.
Every American at some point has got to make the connection between their own hopes and dreams and who is elected to office. It's essential. It's very easy to pull the covers up over your head and say, "I can't handle it. Too much." But we just have to handle it and we have to accept that it's our job. Each of us. Nobody is going to take care of it.
I've done my own videos, I do my own styling, so I feel like I've just always been a visual artist... I was one of those kids who wanted to make my own clothes and take pictures of everything. Everything inspired me, and everything felt like art around me.
The wonderful thing about books is that they allow us to enter imaginatively into someone else’s life. And when we do that, we learn to sympathize with other people. But the real surprise is that we also learn truths about ourselves, about our own lives, that somehow we hadn’t been able to see before.
Yes, definitely I do feel betrayed, but I've got to take everything that's happened and learn from it. I accept that that's a chapter of my life that's finished. And I've just got to be grateful that I've got so many good things going on. I have.
All humans are frightened of their own solitude. But only in solitude can we learn to know ourselves, learn to handle our own eternal aloneness.
I was like, 'Okay, cool, I'ma learn how to produce my own beats,' and I stuck to it. Now, it's hard to even take a beat from anyone else.
As much as you learn to handle failure, you must learn to handle success too, because that's also important.
Any astronaut can tell you you've got to do everything you can to learn about your life support system and then do everything you can to take care of it.