A Quote by Alexa Hirschfeld

People use us for their weddings, their university convocations - you become a part of culture. That's a big part of people's lives, and it's actually a really big honor for us. All their memories around that process are stored in Paperless Post.
People don't use Evite or Facebook events for their weddings. But they do use Paperless Post. It's the sign of a paradigm because it is the most momentous occasion in most people's lives. It represents the most formal type of offline communication.
It feels good, it feels like a badge of honor, honestly. Amongst the artists here, in California, that festival is such a big deal. People live and die for Coachella. So to be a part of it on such a big scale is really flattering, and I feel really lucky to be part of the community.
Vincent and I are entwined creatively every day of our lives. That is a really big part of the relationship for us and what binds us really.
I would never want Ukraine to be a piece on the map, on the chessboard of big global players, so that someone could toss us around, use us as cover, as part of some bargain.
I think that's actually what's missing from government, for the most part. We've got a lot of policy people, but we have no technologists, even though technology is such a big part of our lives. It's just amazing, because even these big Silicon Valley companies, the masters of the universe or whatever, haven't engaged with Washington until recently. They're still playing catch-up.
A big part of the reason that I make music is that I want to be a part of people's memories - you're there; you're present in someone's life.
I think American culture had just become so disengaged from the process of government, and we'd been so fuzzed out by our pop culture around us, that I don't think people really saw this guy for what he was.
There's a big part of me that's atheist. There's a big part of me that's agnostic. And there's a big part of me that tends towards the mystic. The thing that I find is most important in all of that is to retain my sense of wonder and the idea that I don't actually know what's going to happen.
I think people's perception is that when you're famous, you want people to love you. That's a big part of why people become famous, because they don't just want love, they want it on a grand scale. But once you realize - and it's not a big trick to really figure it out - that it's just completely artificial, an external pumping of the ego that's never going to really help you, then it's an easy thing to step out of it. That's probably why Harrison Ford lives in Jackson Hole, Wyoming.
I've got to work with people who have had really fantastic careers and who are still lovely people to be around. So, I suppose that's kind of a big inspiration for me - to work for as long as possible but to continue to enjoy it. I want to be a part of the process, rather than just wanting the rewards.
Lyrical poetry is not a big part of most people's lives. Twitter now becomes an interesting way of getting cared for language into people's space. Because there is something deep inside of us that responds to cared for language, whether it's literary, poetry, or really good lyrics in a song.
I'm sure my desire to perform came, in part, from being around politics as a kid. My dad had a big personality, and a lot of the people involved in Boston politics have big personalities, so there were all kinds of wacky people around.
The people we most love do become a physical part of us, ingrained in our synapses, in the pathways where memories are created.
Part of the people here are interested in the same thing that Putin is interested in: Putin wants to have America as an enemy. Part of Americans want to have Russia as an enemy. It's advantageous. The other part of the people are just ordinary people. And these people project onto big objects the kind of relations that they have with small objects in their everyday lives.
We have to think big. We have to imagine big, and that's part of the problem. We're letting other people imagine and lead us down what paths they want to take us. Sometimes they're very limited in the way their ideas are constructed. We need to imagine much more broadly. That's the work of a writer, and more writers should look at it.
As long as we remember a person, they're not really gone. Their thoughts, their feelings, their memories, they become a part of us.
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