A Quote by Alexander Kluge

You cannot limit yourself to one area of specialized craft. Instead, regardless of craft, you have to charge all forms of expression that lead to the community, to other people, with meaning.
I describe management as arts, crafts and science. It is a practice that draws on arts, craft and science and there is a lot of craft - meaning experience - there is a certain amount of craft meaning insight, creativity and vision, and there is the use of science, technique or analysis.
You need to work at the craft of songwriting, but not only the craft. When I see people working both on themselves and the craft, and they combine those things...I just go, That's just fabulous.
The difference between art and craft lies not in the tools you hold in your hands, but in the mental set that guides them. For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.
Photography is a craft. Anyone can learn a craft with normal intelligence and application. To take it beyond the craft is something else. That's when magic comes in. And I don't know that there's any explanation for that.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
I roll from my bedroom into my workroom in the morning and craft-craft-craft.
Like most art forms, writing is part instinct and part craft. The craft part is the part that can be taught, and that can make a crucial difference to lots of writers.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
Craft' gets a bad rap. Mediocre art is not caused by craft; it is caused by artists. Good art employs whatever craft works best.
If you want to be considered a poet, you will have to show mastery of the petrarchan sonnet form or the sestina. Your musical efforts must begin with well-formed fugues. There is no substitute for craft... Art begins with craft, and there is no art until craft has been mastered.
The craft of questions, the craft of stories, the craft of the hands - all these are the making of something, and that something is soul. Anytime we feed soul, it guarantees increase.
Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.
'Branding' has taken on too much of a role as a specialized craft performed by voodoo artists.
Learn your craft well. Take care of your own business. Success (popularity) is fleeting for most, but longevity lies in a quality craft with integrity. Oh, and don't take yourself too seriously.
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