A Quote by Alexander Kluge
If they had Mozart today, they couldn't work with him, although he was a very adaptable man.
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I had a fantastic stepfather, so I didn't resent him in any way, although I was unnerved by him. He was not an easy man, although he was incredibly charming, gregarious, and fun.
My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man.
A young man, just beginning the study of musical composition, once went to Mozart and asked him the formula for developing the theme of a symphony. Mozart suggested that a symphony was rather an ambitious project for a beginner: perhaps the young man might better try his hand at something simpler first. "But you were writing symphonies when you were my age." the student protested. "Yes, but I didn't have to ask how."
When I started, my teachers told me that I had to sing Mozart, Mozart, Mozart. I said, No, I want to sing all the other stuff. If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
When I started, my teachers told me that I had to sing 'Mozart, Mozart, Mozart.' I said, 'No, I want to sing all the other stuff.' If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
If you work for a man, in heavens name work for him! If he pays you wages that supply you your bread and butter, work for him speak well of him, think well of him, stand by him and stand by the institution he represents. I think if I worked for a man I would work for him. I would not work for him a part of the time, and the rest of the time work against him. I would give an undivided service or none. If put to the pinch, an ounce of loyalty is worth a pound of cleverness.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
Delsarte tells me that Mozart stole outrageously from Galuppi, in the same way, I suppose, that Molière stole from anybody anywhere, if he found something work taking. I said that what was Mozart had not been stolen from Galuppi, or from anyone else for that matter.
Jesse Jackson, when I met him, he had an innocence about him which is still very much a part of him today.
What do I see in the God of that infamous sect if not an inconsistent and barbarous being, today the creator of a world of destruction he repents of tomorrow; what do I see there but a frail being forever unable to bring man to heel and force him to bend a knee. This creature, although emanated from him, dominates him, knows how to offend him and thereby merit torments eternally! What a weak fellow, this God!
We may be sure that a genius like Mozart, were he born today, would write concertos like Chopin and not like Mozart.
Say my husband had a dangerous job and I wasn't with him, I don't know how you go, 'Oh honey, how was it with the police department today? You got all your fingers and toes today?' It would scare me. I'd have to become a police officer and work with him; I couldn't do it.
I was really close to my father since I was young. He always told me that I had to work in order to become a man, so I had to stay with him when my mother left. He always took me to work to help him as a bricklayer. I was just a kid, so I did what I could do to help him.
Although Christ in my mind is an absolute yogi, I think many Christian teachers today are misrepresenting Christ. They're supposed to be representing Jesus, but they're not doing it very well. They're letting him down very badly, and that's a big turn off.
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want to be dealing with that, even if it's Mozart. In fact, especially if it's Mozart. I don't think Mozart belongs in an elevator.
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