A Quote by Alexander Payne
They say you can do honest, sincere work for decades, but you're given in general a 10-year period when what you do touches the zeitgeist - when you're relevant. And I'm aware of that, and I don't want my time to go by.
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You do a movie. However long it lasts, it begins and it ends in a relatively short period of time. In a given period of time, let's say a year, you can have three, four, or five different experiences which is exciting.
Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys. Or, not given. Given back. That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in which it is produced. I think it's inescapable. It's like we look back now, at work done savoring the thirties, and you can almost tell it was done during that period of time. Now maybe, that's a style of period or something, I don't know. I think my work, or the things that interest me, come out of my reaction to history.
I think it's important to relax in general. I don't try to save up my relaxing for one month period of the year; it's kind of a daily practice that I've tried to remain aware of.
I usually do one con a year as a GoH and try to make the World Fantasy Convention for business purposes. Last year I went to a worldcon for the first time in two decades. I may go again this year.
When we go out to the university, the professors always say, 'Tell these students about your five-year plan and your 10-year plan,' and I say, 'Gee, we're lucky if we have a year plan.'
I feel blessed - I am a woman who has been able to work in the entertainment business for five decades. I don't want to age, but I would never take back a year for the wisdom I've gained in that time.
When people say to me don't the years go fast I have to be honest and say that whereas I don't realise where they go in the long term, I pack so much into a year it seems to take forever.
The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture.
Use the word 'zeitgeist' as often as possible. Ideally, you want to find words that sound familiar but people don't really know their definitions: 'zeitgeist,' 'bildungsroman,' 'doppelganger' - better yet, anything Latin. But avoid 'paradigm.' It's so 1994. If you say the word 'paradigm,' everybody knows you're a poser.
I like the sci-fi channel. Just science in general. I came across a segment on time travel and how time travel is possible. We create a spaceship that's moving at almost the speed of light, we go in that spaceship in outer space, and we fly around for a year, when we get back to Earth, Earth would've aged 10 years.
It's hard to tell why something touches a zeitgeist and when that same show doesn't in other places.
It is important for me to believe in a team that has ambition. I want to go up and work towards something. I don't want to work in the grey areas and say it is nice to end up 10th or 11th and keep on doing that every year.
'Battlestar' was 22 episodes - 9 to 10 months a year - and we were exhausted. You finish shooting, and the last thing you want to do is go back to work. You want those 3 months off because you're tired - it's a grueling shooting schedule.
It could be hectic sometimes when you're being an artist and running a label at the same time. But there are times when you just have to say that this my time period to work on my stuff, and then you say this is the time to concentrate on my artists.
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