A Quote by Alexander Payne
The actors are the greatest executors of tone in a film. They're the most important cinematic component.
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I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
The tone is so important to a film, and that tone can really make something fall or succeed.
I would never suggest that the geography or visual environment of the film is more important than what's going on with the people, but it's a major factor in getting the right tone. Certainly, it influences the actors tremendously.
Purely cinematic film ... actually the purest expression of a cinematic idea.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
The idea the actors are the most important people on a film set I think is very stupid. Actors are the most replaceable people there. There are literally millions of us. There's very few people that can operate a steady-cam. The numbers are a lot, lot fewer for that, you know?
Casting a film, you can have the greatest actors in a film and it doesn't work. It's a combination of all of the elements.
Marketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around the world.
Structure is the most important component in a successful planting; colour is important too but it is a secondary consideration.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project. My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
You may not quite understand the cinematic tricks that go behind the making of a film, but as long as you feel it, I think that's the important thing.
When we say 'cinematic', we tend to think John Ford and vistas and wide-open spaces. Or we think of kinetic camera movement or of a certain number of cinematic styles, like film noir.
A fat house-keeper makes leane Executors.
[A fat housekeeper makes lean executors.]
'Aviri' is only a metaphoric title, but steam as a physical component has a very important role to play in the film.
In theatre, there's the director, the writer, and below them the actor. In film, it's the actors who are most important. That goes against the grain for me.
I oftentimes receive the question, "What do you think is the most important social issue to focus on?" Or, "What's the most important component of identity? Is it gay rights or race or feminism?" And I'm like, "Well, they're all intertwined. It's all one conversation at the end of the day. You can't just pick one." I mean, people experience all kinds of prejudice because of all different parts of themselves. And that doesn't make one part more important than the other.
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