A Quote by Alexander Payne

Each one of my movies becomes easier to get off the ground. — © Alexander Payne
Each one of my movies becomes easier to get off the ground.
TV becomes easier because you get to spend time with that character. It's going to go on for a while, and the more you know something, the easier it becomes, the less nerves you have about it, and the better it is for improv because you have that camaraderie between cast regulars. In film, it's harder because you got to get in and get out.
I really can't answer that off the top of my head, my favorite movies. Each one individually was wonderfully made, wonderfully directed, wonderfully written, wonderfully acted, and each one was entirely different.I like romantic movies. I sort of go for the older movies.
We get off track. Capitalism takes us off track. You get off the "real" and get on the "wheel." The "wheel" becomes the winning and losing, the succeeding and failing, the "I will achieve." All that stuff becomes so preoccupying, particularly if you're born with low self-esteem, or no sense of yourself, or even if you're just born in the consumer culture. It's very powerful.
Each and every day you have to perform, whether it's on the practice ground or off the practice ground. I just want to improve each and every day.
You got to have a lot of mass to be able to produce a lot of ground reaction force, to function off of the ground, to press off of the ground.
You get a lot of mileage from understanding what your voice is. When you have a strong idea and you know exactly what you're doing, it becomes hard for people to throw up resistance. It becomes much easier to work with you.
You can sit around and complain that Hollywood doesn't make any good movies. But you can generate your own material. So I read books. I come up with ideas. I was the producer on 'The Woodsman' to help get that off the ground. Sometimes that extends itself to directing.
It's always a little more difficult after taking a few years off, which we did from 2004 through 2008. It's more difficult to get the machine in gear again, but when you become used to it, then it becomes easier.
The way you can see what an actor brings to a role is you turn the sound off. Everything else becomes subtext, the wink and the nod, and the attitude and all that kind of stuff is a little easier to see with the sound off.
The pressure is always stepping on stage with actors who are just so well-established. It's a scary thing. I haven't been around the block that many times, especially not on big projects. Dialogue makes things easier. When you start bouncing dialogue off of other actors, it becomes comfortable; it becomes conversational.
Drugs shut you down, cut you off emotionally. You think being off your head makes life easier, but it's a lot easier when you're not.
And being as I'm somebody who loves movies like The Machinist, I also love going along to big mass entertainment movies. I get in the mood for all kinds of movies, and so I like to try each of them.
Movies that I remember working on, or things that I remember working on, are things that took years of struggle and strife to get them off the ground or get them in front of the public. You don't have that kind of strife or whatever with a television show. It has an automatic platform. You go in, you do your job, and then it goes on air, and that's that.
It's so ironic that the better you get the easier it becomes to win.
It's easier to set off a bomb that kills innocent civilians in a market than it is to plot an assassination, but that obviously was true before as well. I also think it's now easier to get attention for a small attack that goes off in a random market. It's almost like there's a marketplace for terror in the media, and these people are supplying the attacks, knowing that the media will cover them sensationally.
I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.
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