A Quote by Alexander Payne

I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script. — © Alexander Payne
I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
I think when kids just see well-crafted poetry, it's just obtuse to them. It's hard to relate to.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
I still love a well-crafted joke. Twitter's been great for that.
I don't think you ever get tired of the well-written, well-crafted songs.
I dont think you ever get tired of the well-written, well-crafted songs.
Now that a cappella is sort of coming to the forefront of the music world, I think people are starting to realize that it's a well-crafted art form, and not just a cheeseball novelty. That being the case, my hope is that a cappella groups, new and old, will get the recognition they deserve.
[On Doctor Strange] just from costumes to everything was just so well done, so beautifully thought through and well-crafted. And so - , and they didn't even make me pretend that much with green screen.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
Sometimes, I can read a great script, and I don't like the part, or I don't think I'm right for it. I mean, there are times I've read really great parts and think there's so many other actors who could do this better than me. And I just say no to it.
I believe that a good comic script can succeed despite being drawn badly, but that a bad script can't be saved by good art. Of course, great writing and great illustration makes for a great comic 100 percent of the time.
'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.
We [comics] create our own reality on the show. I'm in a cocoon of the character's creation. Even within that reality, he's in a cocoon. While I'm an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what's going to happen. It's a very ­crafted, controlled environment.
The second episode of any new show can be tough. You have about a week to top the well-crafted and polished pilot episode that was written over six months.
Sometimes the truth is not as believable as a well-crafted lie.
When something is well-crafted, you know it, and the enjoyment comes from experiencing it.
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