A Quote by Alexander Payne

I like to think of film-making not just as an act of personal self-aggrandisement but rather as an act of public service. — © Alexander Payne
I like to think of film-making not just as an act of personal self-aggrandisement but rather as an act of public service.
We've got ourselves into a situation where government service is somehow seen to be a political act rather than an act of civic duty or of public service.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
The act of writing for the slave constituted the act of creating a public, historical self, not only the self of the individual author but also the self, as it were, of the race.
Action is where it's at, as far as making dreams come true. We ourselves are the prime channel for our creations, so if we don't act but just wait, then we are blocking the channel. If we do act then we will be supported by all that we are connected to... which is All That Is if we act with love and service as our motivation.
If I don't have to act, I'd rather not. I'd rather not act cold. I'd rather actually be cold. That's my weird way of acting. If the door is supposed to be locked, I'd rather have it locked. But of course, most of the time, we have to act, and that's okay, too.
There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.
Every act of will is an act of self-limitation. To desire action is to desire limitation. In that sense, every act is an act of self-sacrifice. When you choose anything, you reject everything else.
According to the Bible, the marriage act is more than a physical act. It is an act of sharing. It is an act of communion. It is an act of total self-giving wherein the husband gives himself completely to the wife, and the wife gives herself to the husband in such a way that the two actually become one flesh.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
I think golf can be one of those places where we act and we hope that people act as we would like them to act all the time.
The act of loving is an act of self-evolution even when the purpose of the act is someone else's growth.
The very act of faith by which we receive Christ is an act of the utter renunciation of self, and all its works, as a ground of salvation. It is really a denial of self, and a grounding of its arms in the last citadel into which it can be driven, and is, in its principle, inclusive of every subsequent act of self-denial by which sin is forsaken or overcome.
You go to the cinema and you realize you're watching the third act. There is no first or second act. There is this massive film-making where you spend this incredible amount of money and play right to the demographic. You can tell how much money the film is going to make by how it does on the first weekend. The whole culture is in the crap house. It's not just true in the movies, it's also true in the theater.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
I think, almost, the film industry thinks that by making gay characters super masculine, it's an attempt at saying being gay is OK if you act like straight people. I don't think we should just have gay characters who are 100 percent femme, either. I just think it's about that mix and creating more diverse gay characters.
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