A Quote by Alexander Weinstein
I really admire the experimentalists who challenge traditional narrative - writers like Ishmael Reed, Michael Martone, Donald Barthelme, Tatyana Tolstaya, George Saunders, and many others.
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I know a lot of people who read and think: "George [Saunders] is so much fun." There's no denying you're fun to read, but as a writer I think of [George Saunders] as, in fact, not a fun and freewheeling type but really an obsessive control artist.
I wish I wrote songs like Donald Fagen, Walter Becker, Don Henley, Marvin Gaye, Michael Jackson, so many of the songwriters I admire. They have the ability to say things.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
David Simon goes to the Jewish Weekly and said he's made all this money, but he can't enjoy it because of criticism by people like Ishmael Reed.
I love the Russian absurdists - [Nikolai] Gogol,[Daniil] Kharms, and [Vladimir] Bulgakov. Even within the Russian experimentalists, there's a lineage of traditional narrative, conflict, and character development, which I find vital to my storytelling.
I really wouldn't call a lot of what's online "literature" since that word, to me, refers to a sub-genre of writing that belongs to the heavy-hitters, the canonical writers, Shakespeare, Dante, Milton, Dostoevsky, Kafka, and even Toni Morrison, George Saunders, Thomas Bernhard, Sebald, Borges, DFW, e.g.
I love those adult writers with the pranking ethos, [Don] DeLillo and [Donald] Barthelme and David Foster Wallace. I don't see any reason not to bring those kinds of influences to bear on books for children.
I try to write like the writers I admire - I rip them off in form. It comes from George Strait and Merle Haggard records, and country music in general is really good at that, the twisted phrase... So I'm always looking for that angle in my own work.
I try to write like the writers I admire - I rip them off in form. It comes from George Strait and Merle Haggard records, and country music in general is really good at that, the twisted phrase... So Im always looking for that angle in my own work.
I've been influenced by so many different writers along the way - from Charles Dickens, Roger Zelazny, Michael Moorcock, John D. McDonald, and so many others - that it would take a page or two to list them all.
I really like and admire Michael Moore.
'Pitchfork' said something like, 'Michael Imperioli wrote a book that sounds like Lou Reed fan fiction,' which maybe it is. It's fiction, and I'm a fan. But it's not about me, and it's not a Lou Reed book.
I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
Michael Jackson doesn't really belong on this planet. He's the most important figure in the history of music. He'll be remembered far longer than George Bush will. 200 years from now, people will be talking about Michael Jackson, and no one's going to mention George Bush.
George Saunders is outside of Chicago too. I've met him a few times, actually. I really like him a lot. He's a really sweet guy. He's a big fan of my music now, too. I spent an enormous amount of time reading his work.
Philadelphia's a good science-fiction town. There are many professional writers here, like Michael Swanwick, Tom Purdom, Gregory Frost, Victoria McManus and others. There are professional artists such as Bob Walters and Tess Kissinger and Susan McAninley.
