A Quote by Alexandra Kerry
My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
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Passion with another cannot sustain a relationship. Passion exists in the moment, and this moment passes into a memory. In order to sustain a relationship, you must be passionately alive. As a result, you will continue to bring your passion to the one you love. You will not need it to come from another, because you will be sharing your abounding supply from within you.
Historically, privacy was almost implicit, because it was hard to find and gather information. But in the digital world, whether it's digital cameras or satellites or just what you click on, we need to have more explicit rules - not just for governments but for private companies.
Were all bloggers and punks and rebels with cameras. There is absolutely no respect for career journalists anymore.
I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.
In the Digital Age, recorders also tend to be oversharers, and with Facebook, Instagram, Twitter, and Pinterest, they can do so on a grand scale.
I used to work for a newspaper that covered local resource issues, and my coworkers and friends were journalists. Their reporting work was always pretty grim.
I like making little videos and little records. I've always loved video cameras and four-track cassette recorders, still cameras, anything.
We're all bloggers and punks and rebels with cameras. There is absolutely no respect for career journalists anymore.
As pride sometimes is hid under humility, idleness if often covered by turbulence and hurry.
Throughout our career, people thought Bobby and I disliked each other. That's not true, but our relationship was very complicated. We were like brothers - and brothers don't always see eye to eye.
Utopians don't say, 'The world's corrupt, women make less money, people of color are oppressed at every turn.' You don't list the problems of the world; you describe a world in which those things aren't the case. The critique is implicit and as a result it's kind of a positive critique. You're not listing what's bad, but rather what would be good - you're oriented toward this positive vision.
From analog film cameras to digital cameras to iPhone cameras, it has become progressively easier to take and store photographs. Today, we don't even think twice about snapping a shot.
In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think it’s impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them.... I destroy them.
If you have ever, sir, been through a breakup of a romantic relationship that involved great love, you will perhaps understand what I experienced. There is in such situations usually a moment of passion during which the unthinkable is said; this is followed by a sense of euphoria at finally being liberated; the world seems fresh as if seen for the first time then comes the inevitable period of doubt, the desperate and doomed backpedaling of regret; and only later, once emotions have receded, is one able to view with equanimity the journey through which one has passed.
I can be critical of Beyoncé and yet also appreciate aspects of her power and representation. I can especially critique the way white supremacist aesthetics more often than not informs her presentation of self and yet still acknowledge her beauty.
I was lucky enough to go to an all-boys prep school in upstate New York that had a film program, so we had access to 16mm Bolex cameras, Nagra sound recorders, Arriflex cameras. We even had an Oxberry animation stand!
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