A Quote by Alexis de Tocqueville

The French want no-one to be their superior. The English want inferiors. The Frenchman constantly raises his eyes above him with anxiety. The Englishman lowers his beneath him with satisfaction.
Some souls think that the Holy Spirit is very far away, far, far, up above. Actually he is, we might say, the divine Person who is most closely present to the creature. He accompanies him everywhere. He penetrates him with himself. He calls him, he protects him. He makes of him his living temple. He defends him. He helps him. He guards him from all his enemies. He is closer to him than his own soul. All the good a soul accomplishes, it carries out under his inspiration, in his light, by his grace and his help.
Divine love does not weigh down, nor carry his servant captive and enslaved to the lowest depths, but raises him, supports him and magnifies him above all liberty whatsoever.
The same amount of pride which makes a man treat haughtily his inferiors, makes him cringe servilely; to those above him.
Let us serve Him faithfully as our Master. Let us obey Him loyally as our King. Let us study His teachings as our Prophet. Let us work diligently after Him as our Example. Let us look anxiously for Him as our coming redeemer of body as well as soul. But above all let us prize Him as our Sacrifice, and rest our whole weight on His death as atonement for sin. Let His blood be more precious in our eyes every year we live. Whatever else we glory in about Christ, let us glory above all things in His cross.
The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and alone. A chronic fear of being slighted made him avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity.
I don't want to know about the constitution of the rapist--I want to kill him! I don't care if he is white or black, if he is middle-class or poor, if his mother hung him from the clothesline by his balls: I only want to kill him! Any woman who has been raped will agree.
Why prove to a man he is wrong? Is that going to make him like you? Why not let him save face? He didn't ask for your opinion. He didn't want it. Why argue with him? You can't win an argument, because if you lose, you lose it; and if you win it, you lose it. Why? You will feel fine. But what about him? You have made him feel inferior, you hurt his pride, insult his intelligence, his judgment, and his self-respect, and he'll resent your triumph. That will make him strike back, but it will never make him want to change his mind. A man convinced against his will is of the same opinion still.
Perhaps I fear him because I could love him again, and in loving him, I would come to need him, and in needing him, I would again be his faithful pupil in all things, only to discover that his patience for me is no substitute for the passion which long ago blazed in his eyes.
The patient man is merry indeed.... The jailers that watch him are but his pages of honour, and his very dungeon but the lower side of the vault of heaven. He kisseth the wheel that must kill him; and thinks the stairs of the scaffold of his martyrdom but so many degrees of his ascent to glory. The tormentors are weary of him. the beholders have pitty on him, all men wonder at him; and while he seems below all men, below himself, he is above nature. He hath so overcome hlmself that nothing can conquer him.
If I were going to war I would want to be alongside an Englishman not a Frenchman. The Frenchman would think too much.
She felt him tremble with the force of his need. He spoke just beneath her ear, his voice thick with tormented pleasure. "You have to leave, Sara ... because I want to hold you like this until your skin melts into mine. I want you in my bed, the smell of you on my sheets, your hair spread across my pillow. I want to take your innocence. God! I want to ruin you for anyone else.
The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.
And just as I start to move past him, my hip accidentally rubs against his, and his face is so close, and his eyes so deep, that I can't help but lift my fingers to his smooth, sculptured cheek. Then without even thinking, I close my eyes, lean in, and kiss him.
So we forgive each other?" The crooked smile climbs up one more time. "Again?" And I look right into his eyes, right into him as far as I can see, because I want him to hear me, I want him to hear me with everything I mean and feel and say. "Always," I say to him. "Every time.
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face. "I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth. She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
When I fight someone, I want to break his will. I want to take his manhood. I want to rip out his heart and show it to him.
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