A Quote by Alexis Ren
I started Instagramming, like, my model life, per se, when I was 14. I got into it as, like, this is an opportunity to be able to show yourself not just as a pretty face but as a personality, which I think models have never been able to have until now.
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I've always said that I feel lucky to live in the era of social media and be a working model in this time. Back in the day, models were just another face. But social media has given people a voice and not just another face. Not only can you show the world your personality and stuff like that, but you can be a brand ambassador easily.
A soldier's life revolves around his mail. Like many others, I've been able to follow my kid's progress from the day he was born until now he is able to walk and talk a little, and although I have never seen him I know him very well.
Even if there was an opportunity to school yourself in different characters - characters that have distinct personalities which may be totally different from yours, you have got to completely divorce your own personality to be able to go over to the other personality.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
You have to look for a unique quality in that person and it's not just always physical. I don't think models are great models because of their face or their body. Obviously, I think their physical characteristics are important, but I think it's very much about your personality and inner beauty and really understanding how to be a great model instinctively. And that's where it all comes from.
I like raconteurs; I like conversation. I liked the 'Tonight Show' when it was 90 minutes, I like when people aren't plugging things per se, and they're just in the moment being interesting.
What is opportunity, and when does it knock? It never knocks. You can wait a whole lifetime, listening, hoping, and you will hear no knocking. None at all. You are opportunity, and you must knock on the door leading to your destiny. You prepare yourself to recognize opportunity, to pursue and seize opportunity as you develop the strength of your personality, and build a self-image with which you are able to live - with your self-respect alive and growing.
When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
I definitely think the girls look too skinny now. I'm friends with models Helena Christensen and Linda Evangelista, and I remember Linda telling me that when she was a model in the nineties, a sample size was a 6 or an 8. Now a sample dress size is a 0 or a 2. That's pretty alarming. There's a lot of pressure on the models. It's not healthy. I can't even imagine what that's like.
When I was back to 100 per cent fitness, I was able to show what I was capable of. I like to think I will bring a freshness into the Euros, and now that I am captain, I am going to do my best to take responsibility.
I've wanted to not play as much. I would like to just sing now. Even though I don't think I'm a great singer, I wouldn't mind just - not being a frontman, per se, but singing and not playing.
You'd be surprised how quickly our identities evaporate when we were able to connect with people on a very personal level because we're all really trying to chase the same dream, we are looking for the same thing, we're raising our kids, we're just trying to get along. And, right now we are able to show people, hey, I'm just a human being like you are, I've got to take care of my kids and my family just like you, how can I help you?
I don't want to say I was a big Shinya Aoki fan, but it's just that I felt like he got out and was able to do a lot of the tricks that I like to do before I was able to do them. I guess you can say, a little bit jealous in a way that he was making that sort of show before I was.
I feel like there's not enough clothing out there to show our personality and just to be comfortable and to be fashion-forward and to be a trendsetter. There are a lot of clothes out there for the straight-size woman to be able to show that, but in the plus-size industry, I don't feel like it's there just yet.
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes a show, which was revolutionary. 'Arrested Development' has probably got 60 scenes per show. It just keeps emerging as this more and more complex thing. I always try to keep it very simple at its heart.
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