A Quote by Alfonso Cuaron

I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
I saw 'Y Tu Mama Tambien' with my mom. It was really awkward.
Since 'Y Tu Mama Tambien,' I started to spend a lot of time in the United States, and my son was born there.
I'm a sucker for movies about uncommon friendships: 'Midnight Cowboy,' 'Harold and Maude,' 'Scarecrow,' 'The Last Detail,' 'Y Tu Mama Tambien,' 'Jules and Jim,' 'Rushmore,' 'Stand by Me.'
On 'Y Tu Mama Tambien,' we started exploring shots that are longer, where the camera is moving around the actors, and there are no cuts, and you feel like you're there.
I asked the producers when I was doing 'Y Tu Mama Tambien' if they could give me a VHS recording of the film that I could show to my family, because in Mexico and Latin America, when you do a film, you don't expect anybody to see it, especially not in the cinema.
I was able to shoot a movie like 'Tree of Life' because I had done 'Y Tu Mama Tambien.' The camera needed to capture that sense of freedom and joy and life you have when you're young.
Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
'Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
It's a cliche, but Americans are puritanical. In their movies, they are scared of sex, but they overindulge in violence. I could have cut a G-rated version of 'Y Tu Mama Tambien' that would have pleased the American ratings board, but it would have been five minutes long.
In Mexico, audiences want to see a big discussion around a film - what we expect from Hollywood films worldwide is more of an entertaining show. 'Y Tu Mama Tambien' was a road movie and comedy, but it had a very strong political connotation that sparked a discussion in Mexico that is still going on.
I'd already been doing work in the community... But when it comes to how to actually amplify your voice, when I saw what Colin Kaepernick did and the amount of coverage and conversation around it, that's when I truly realized how much influence we have as athletes.
I never noticed my voice. I did become aware as a little kid at camp that I liked doing accents. We'd do plays and skits, and I realized I loved speaking in voices that weren't my own.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.
As much as I care about historical context - I'm very eager to read a really great historical account.
I try to look after my voice. I am very aware that if I am going to be doing a voice over the next day or on the radio, not to go out to a really noisy place or shout.
It wasn't really until after I got out of art school that I realized that I'd been doing that sort of for the audience, for that context. Somehow, being alone in the room, it made no sense at all to make those kinds of paintings.
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