A Quote by Alfonso Cuaron
The amazing thing is that the more money it takes for a movie to get made, the more you feel like everybody wants you to fail.
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When I say 'The Hunger For More', it could be referring to more success. It could be more money, or respect, more power, more understanding. All of those things lead up to that hunger for more, because my more isn't everybody else's more. I feel like I made it already, because I got already what everybody on the corners of the neighborhood I grew up in is striving to get. God forbid anything happen to me, my family is straight. So anything that happens after this is just me progressing as a person.
You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
Nobody wants to be depressed - everybody's trying to feel better; when they strive and fail, it's all the more poignant.
Everybody loves a thing more if it has cost him trouble: for instance those who have made money love money more than those who have inherited it.
Everybody in life is pursuing money: left, right, charity, nonprofits, everybody's pursuing money. Everybody wants a raise. Everybody wants to improve their standard of living. Everybody wants to be rich, and especially those that go to Washington.
When you're shooting a movie you are away from home most of the time. It's an amazing thing that we get to do what we get to do, but you definitely are away from the family more than you'd like to be.
Everybody wants that spot: everybody wants to beat Nicola Adams. Everybody wants to be the Olympic champion; everybody wants to beat the Olympic champion. It's made me train that much harder and stay that much more focused. I guess, in a way, I've got them to thank for keeping me motivated and focused on the job I need to do.
Carlitos is amazing. He does what he wants with the Arabs. He tells them "I want to go to Buenos Aires" and they say "No, Carlitos, stay here now, we'll give you more money". And then he gets more money!
Well, everybody is trying to make this a money thing. If you send me to another team, let's see what I ask for. I won't ask for nothing. I'll play under the same terms. So it is not Gary wants more money. Gary has money. What else do I need?
Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.
People want people to do well. You can get focused on the bitter side of it, like, 'Everybody wants you to fail. Everybody's keeping the door closed to you,' but that's not true at all. Everybody's kind of in the same boat.
I think everybody wants everybody to be successful. There is that competitive nature, in a sense that everybody wants to be the best, but if A.J. Styles is more successful, and Braun Strowman is more successful, that makes the company more successful.
There's more empathetic representations than we're used to seeing. I honestly feel like in the early days of Hollywood, women did have those. Women had very traditional roles in society of wife and mother, but when they went to the movies, they got to see women be, like, really cool, amazing characters and femme fatales and all of this. And then there was just this systemic reaction where it was all about, "How do we make money?" And everybody wants to sell things to boys. And then women's entertainment became devalued in a way that I think is disrespectful and hurtful.
When you take that to the next level of guiding a group of filmmakers to actually depict him, it's even more challenging. The one that that I think everybody involved believes is that we won't move forward with this until we believe it's right. There's no deadline that a movie has to be made by. We have to believe that we have served the responsibility, however long it takes us to get to that point.
I feel like only now in my life do I really get it -- do I feel that sense of calm. And I feel very grounded. I feel much more confident. I feel, you know, sexier, more intelligent, more to offer, more wisdom, more life experience to draw from.
I knew that one movie could either kill my career or give birth to it. It's the same thing with Nelson. If you fail at Nelson [movie about nelson Mandela], you don't get to comeback and say, 'Well, I was trying. Let me do it again.' There are no re-takes.
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