A Quote by Alfonso Cuaron
Every film is difficult. Making films, you're always going to have problems, there's always going to be challenges.
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People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
I am definitely going to continue directing, but I am always going to try to explore new ways of making films. It really is possible to make films in different ways.
If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
Every year is different. I'm not getting any younger trying to keep it going. It's always a challenge. It's like a boxer going into a ring. You never can tell what's going to work and what's not going to work until you're in action and everything is going on around you. It's very intense and always a challenge and always a thrill.
The BFI recently did a study of the British films that have the most people of color in them in the last 10 years, and in the top 10, three of the films were my films. I've always been a glass-is-half-full person. I've always gone, "If people aren't going to do it, I'm going to do it".
I always make things worse than they are or create problems that aren't there. And going and doing some simple task becomes a problem. I start imagining problems that aren't there. What people are going to think, who's going to judge me and am I going to be good enough? Am I worthy?
I always approach every film I make as if it was going to be the last. So if I'm going to go out, I'm going out with a bang.
There's going to be different kinds of challenges on a yearly basis. You're going to have to overcome injuries, or you overcome a playoff loss or what have you. So there's always challenges in this business.
My most enjoyable movie going experiences have always been going to a movie theater, sitting there and the lights go down and a film comes on the screen that you don't know everything about, and you don't know every plot turn and every character movement that's going to happen.
It's a funny thing with the inspiration thing. There's always loads of music around that I absolutely love and films going back to when I started making film music in the mid-80's.
It was always going to be difficult, no matter what I'd set up, no matter how many children I have got to take my mind off things. There was always going to be a moment when I finished playing, that I was going to find tough.
Film-makers are always going to be interested in making movies that plug into society around them. That's what a vibrant, artistically alert community should be doing. After all, it would be sad if we only made films about alien robots.
I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.
Miley is always on, she’s always funny, she’s always writing songs, she’s always making music. The parallel of the film is like Miley says, going back to her home, going back to her roots. Getting back to Tennessee was art imitating life imitating art.
You're always going to face criticism, you're always going to face challenges, but those things are there to make you stronger and more committed.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
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