A Quote by Alfred Hitchcock

I'm a writer and, therefore, automatically a suspicious character. — © Alfred Hitchcock
I'm a writer and, therefore, automatically a suspicious character.
When liberals are behind something, I'm automatically suspicious.
I am automatically suspicious of things that wave their symbolism around and do little dances and bludgeon you over the head so that you [Darn] Well Know There's A Symbol Here.
David Corbett's The Art of Character offers a deep inquiry into the creation of character for the novice writer, with valuable nuggets of wisdom for the seasoned storyteller. If you are a writer, it should be on your desk.
A good writer of history is a guy who is suspicious.
But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence of someone resenting the treatment of her sex and pleading for its rights.
I'm not a writer on a mission, and I'm very suspicious of writers on missions, but I'm also not living a false life.
If you can get sexual attention and then (or therefore) succeed as a writer - or [fill in career blank] - that means you're a writer worthy of literary respect?
I'm not an activist by nature. I am suspicious of Utopian thinking and equally suspicious of its alternate.
To be suspicious is not a fault. To be suspicious all the time without coming to a conclusion is the defect.
Women are suspicious of this male ritual of the bachelor party and are suspicious of what men do and say when they are not being watched by them.
When people are suspicious with you, you start being suspicious with them.
If you don't drink coffee, I am suspicious of your character and will not invite you to my Italian lake home.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
This site uses cookies to ensure you get the best experience. More info...
Got it!