A Quote by Alice McDermott
A perfect poem you can't pin down and say, 'This is exactly what it meant to me.' It's not a self-help manual.
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My own emotional health issues were bullying me during the time I was drafting that poem. It was a pressure I couldn't pin down or diagnose. And like many, if not most, writers I had the self-consciousness to recognize it made great conditions for writing.
So I grew up feeling that I wasn't good enough, and that no-one would love me unless I was perfect. But no-one's perfect, we're not meant to be perfect. We're meant to be complete. But it's hard to be complete if you're trying to be perfect, so you kind of become disembodied. And I spent a lot of my life that way.""And if you don't own your strength... Women like me tend to always look over their shoulder to see who... "Who's the leader? Who's the smart one?" Never thinking it might be ME. Took a long time for me to get over that.
If you've ever been to a poetry slam, you know that the highest scoring emotion is self-righteous indignation: how dare you judge me. So in that way, the poem, 'What Teachers Make,' is an absolutely formulaic slam poem designed to allow me to get up on my soap box and say, 'Let me tell you what really makes me angry.'
ONCE WHEN I WAS ninth grade i had to write a paper on a poem. One of the lines was"If your eyes weren't open you wouldn't know the difference between dreaming and waking' It hadn't meant meant much to me at the time. After all there'd been a guy in the class that i liked so how could i be expected to pay attention to literary analysis? Now three year later i understand the poem perfectly.
Sometimes it wasn't even when we were knocking on doors, it would be, the phone would ring and somebody would say, "God told me to do this," and it would be exactly the perfect timing to help us with the next step of the filmmaking.
For me it was perfect, because it wasn't a very competitive environment, and it was a studio program. They basically send you off, and say, bring us some work, and we'll help you improve it. It really rewarded self-discipline.
Before I started chemotherapy treatments, I wrote down the best advice from doctors, family, friends, books, and survivors and created an 'Owner's Manual' to help me take care of myself. It would remind me that cancer is doable.
Durable, memorable poetry is usually alert to complexity. A really good poem gives you a reason to read it 20 times, because the language in a good poem is doing a lot of work emotionally and a lot of work intellectually. That means durable poetry can help us think about complexity, can help us resist easy answers and help us step back. And it can help us sometimes calm down, and sometimes it can help us stay upset.
I think a good poem should have some inscrutable part. You can't quite explain it. The poem can only explain itself to a certain limit and at that point you enter into a little bit of mystery. That for me is the perfect poem: to begin in clarity and to end in mystery.
I've met a lot of pin-up girls, but I've never been able to pin one down
The poem builds in my mind and sits there, as if in a register, until the poem, or a piece of a longer poem, is finished enough to write down. I can hold several lines in my head for quite some time, but as soon as they are written down, the register clears, as it were, and I have to work with what is on the paper.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
Truck drivers stop me and say, 'What is the poem for the day?' or 'Give me a poem for my girl.' I have one on almost every subject.
You write these songs which are really dear to you about your family or friends, loved ones, and then you get this call, and they say, 'It's perfect for two vampires making out in the back of a car.' It's some random TV show, and so I say, 'Oh, yeah, perfect - that's what I meant it for.'
The original sin is not that we are inherently flawed, born sinners, or imperfect; the original sin is that we do not recognize, realize that each of us is born perfect, exactly as the universe, God intended us to be. We are all perfect. The universe is perfect. Stop struggling against yourself. Accept that you are perfect. When you do, your highest self will shine through.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
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