A Quote by Alicia Sacramone

I got a custom-made silk dress from a Chinese tailor for really cheap. I sketched it out on a piece of paper, and they took my measurements and made the dress for me in a day!
I have an evening dress, pink mull over silk (I'm perfectly beautiful in that), and a blue church dress, and a dinner dress of red veiling with Oriental trimming (makes me look like a Gipsy), and another of rose-coloured challis, and a grey street suit, and an every-day dress for classes. That wouldn't be an awfully big wardrobe for Julia Rutledge Pendleton, perhaps, but for Jerusha Abbott - Oh, my!
When I was in Italy, I liked to say, no, that the manager, the coach, is like a tailor. A tailor who must build a dress, the best dress for the team.
When I was a child, I probably should have been medicated about my obsession with The Spice Girls. I had the Buffalo shoes, a customised Baby Spice necklace - when I say custom-made, it was made out of plastic from the local mall - and a Union Jack dress.
When I was little, and whenever I had to wear a dress while my mother took up the hem or made any alterations, she told me to keep a thread from the dress in my mouth while she was sewing, and that would keep me from getting stuck by the needle.
Charred bits of black silk swirl into the air, and pearls clatter to the stage… I’m in a dress of the exact design of my wedding dress, only it’s the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that’s when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay.
It's the ultimate for me not to see how it's made. I find it vulgar when you can distinguish how something is made. I used to be a student at the Chambre Syndicale de la Haute Couture in Paris, and once I got to go to a Saint Laurent couture show. Everyone was always talking about how fabulous the tailoring was, but I was transfixed by this one particular dress. It was just a piece of fabric, but as the model was walking, you didn't know how she got into it, how it closed, where the seams were, and that, for me, was perfection. It stayed with me as a lifelong vision.
Yves Saint Laurent gave women power, Chanel liberated them and when I joined Lanvin, I thought 'what do I bring to women? One day, I received an SMS from a friend in New York - she was in a taxi on the way to court to face her arsehole ex-husband, and she said to me 'Alber, I am wearing a Lanvin dress, and I feel so protected.' That to me was the biggest compliment I ever received. To have a 500 gram piece of silk make her feel protected - that made me very happy indeed.
When I was shopping around trying to get signed, I made it a point to say, 'This is who I am.' I dress the way I normally dress, and I just wanted to find a label that would accept me for that.
I have an oddball sense of humor. So when there was an episode at a comic book convention-of course they end up having Lois dress up all sexy and stuff-but really what I would dress up like is a Stormtrooper. That's what I'd do, because it's hilarious, and who doesn't want to be that at some point, right? So then they made something out of that.
Simplicity is the base of everything. At the end of the day if you feel good about yourself, you don't need anything. You don't have to depend on the power of a dress to dress you up. You wear dress the dress, it's not the opposite. It's not only a designer, it's not only just fashion, it's a philosophy. It's a lifestyle.
I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.
It's more than just a dress; it's a spirit. The wrap dress was an interesting cultural phenomenon, and one that has lasted 30 years. What is so special about it is that it's actually a very traditional form of clothing. It's like a toga, it's like a kimono, without buttons, without a zipper. What made my wrap dresses different is that they were made out of jersey and they sculpted the body.
My mother gave me very good advice years ago. I grew up in the Great Depression and she always told me to get a good little basic black dress - well-cut, well-made, good fabric - and it could take me through everything. I could go to the office in the morning and stay out all day in the same dress. Just by changing accessories, because they are so transformative, you can make six different outfits. I find that very useful. My mother worshipped at the altar of accessories and I'm an accessory freak, as everybody knows. That, I got from my mother.
I made silk screens of my drawings. I could add a drawing that was made with a machine or digitally to a drawing that was made by hand. What I love is that you can't tell how they're made. For some reason, fooling the eye really excites me.
I've spent a lot of time self-reflecting. Especially as an actor, you have to know yourself really well in order to do things effectively. And when I dress, I dress for me. I don't dress to make other people think that I'm this way or that way.
I was able to attend a doggie wedding where the bride wore a custom made gown of taffeta and satin - the quality of the dress was nicer than a lot of the human weddings I've been to.
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