A Quote by Allison Anders
My work is better, maybe all filmmakers are better, for Polanski's imprint on cinema. He created language for all of us to use, there is no question about that.
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A whole society imprints us. Language, television and culture imprints us Just living in a country is a vibratory imprint. All the collective attentions, of all the people who live there - imprint us.
By slowing down at the right moments, people find that they do everything better: They eat better; they make love better; they exercise better; they work better; they live better.
I'm not an American as you know, and to deliver "Jackie" today in the United States and understanding the role of women in society is changing and I hope it just gets better and better - and also in cinema. There's very few interesting roles today for women in cinema. It's getting better and stronger and, and I'm proud to be part of that.
The biggest challenge in making movies, boring but true answer is money - you never have enough, so everything gets bootstrapped to death! I learned not only how to be better filmmakers because of it but better janitors, better drivers and better negotiators with cops who wanted to shut me down. You have to get creative.
People say to me, Hey, Bill, the war made us feel better about ourselves. Really? What kind of people are these with such low self-esteem that they need a war to feel better about themselves? May I suggest, instead of a war to feel better about yourself, perhaps... sit-ups? Maybe a fruit cup? Eight glasses of water a day?
Yes, we all know that there's a good chance the missiles won't work properly when the government people finally come to get them, but over the years we've stopped worrying about that. Deep down, most of us feel it's probably better this way. After all, if there are families in faraway countries with their own backyard missiles, armed and pointed back at us, we would hope that they too have found a much better use for them.
When I was a young man, my friends and I and all of us in New York were very influenced by French cinema. French cinema played an enormous influence on those of us who wanted to be filmmakers.
It's almost as if we have two lobes in our brain. There's the consumer and investor mode, and we're doing better and better at that lobe. But at the producer and seller mode, we have to work harder and harder. And the better we do as consumers and investors - the easier it is for us to choose something better, to exit every commercial relationship - the harder we have to work as sellers and producers. One follows from the other.
The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.
Ever wonder why the gods created man, Grom? I personally think that we're the original reality show. They were so effing bored that they created us just so that they could feel better about themselves
Doubt has purpose sometimes. If we don't think our work is good enough, we strive to do better and be better. Which then makes us better because practice does just that.
The photographer proceeds, via the intermediary of the lens, to a point where he literally takes a luminous imprint, a cast... [But] the cinema realizes the paradox of moulding itself on the time of the object and of taking the imprint of its duration as well.
Better rooms better furniture, better objects d'art can only be created for a society interested in living - not existing.
Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
China's cinema has been rising for some time; it has more exposure, so my chances of becoming internationally known are better. But the first thing I have to do is learn English. If I can grasp the language, then perhaps I can think about the U.S.
For a while I felt like I spoke a different language than my immediate family. It wasn't until my teens that I met and got to know better members of my extended family (my cousin Alma in particular) that self- identified as artists. Something in us clicked together; in the way we thought, in the language we chose to use, in what we enjoyed. She helped me see and appreciate a lot both about myself and my loved ones.
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