A Quote by Allison Jones

'Arrested Development' is great; Mitch Hurwitz is great. Plus, it's the one show I've ever had where, on the small parts, he just let me cast people. — © Allison Jones
'Arrested Development' is great; Mitch Hurwitz is great. Plus, it's the one show I've ever had where, on the small parts, he just let me cast people.
There's something rare and wonderful that's very particular to television, and it's when a great cast meets a great show runner/creator with the right set of characters to play. That's what happened with 'Arrested Development.' It happens every so often, but all too rarely on TV.
Mitch Hurwitz was like a father figure to me. He was so sweet, and he's just so smart.
When great men permit themselves to be cast down by the continuance of misfortune, they show us that they were only sustained by ambition, and not by their mind; so that PLUS a great vanity, heroes are made like other men.
I shot all my stuff on 'Arrested Development' in one day, and was brought into a really well-oiled machine. 'Cause it was the last season, and they were wrapping up a lot of stuff because they knew at that point that they weren't coming back. There seemed to be kind of a freedom, and certainly the cast had a great amount of camaraderie.
Well, at the time, you have to remember that we were not successful. The Showtime offer, as it was presented to me, was half the money for half the show. I was not interested, at that point, in doing a smaller cast and a more simplified Arrested Development.
It's funny, because Arrested Development is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called Quintuplets for a season for Fox, and this was while Arrested Development was on. I used to go over and hang out on their set.
It's funny, because 'Arrested Development' is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called 'Quintuplets' for a season for Fox, and this was while 'Arrested Development' was on. I used to go over and hang out on their set.
I love 'Arrested Development' and 'Veep' and I love Louis C.K. - I love the 'Louie' show, it's great.
Men accept compliments much better than women do. Example: "Mitch, you look great." Mitch: "Thanks." On the other side: "Ruth, you look great." Ruth: "I do? Must be the lighting."
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
Mitch and I have known each other for such a long time, and we're both so pleased to be given this opportunity at this point in our lives to play characters that we've never really had a chance to play before. It's a great gift. Plus we're wise enough to appreciate it.
When I booked 'Arrested Development,' which was a fantastic job, and I was working with an amazing cast and some of the best writing I've ever done, I still found myself looking for the next thing.
As a young actor, I played a lot of 'exotic' parts and was stuck with the tag 'sultry.' I had to refuse such parts if I were ever to play anything else. It did the trick, but my agent feared it made me harder to cast.
When I was 16, I was working on 'Arrested Development.' My memories of being 16 were just trying to keep up with school while doing the show and trying to be around all those people on the show, as much as I could.
Arrested Development opened a lot of doors for me, and once I sort of became, I guess what you'd say "available," there was a lot of opportunity out there, and it's been nice; a lot of people have found it in their hearts to offer me movie parts.
I've had three Eurovision winners: two with Johnny Logan and one with Linda Martin and even Jedward did great, because 'Lipstick' was a great song and they had a great show. It was a great visual.
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