A Quote by Amaal Mallik

The Saina Nehwal film's soundtrack is one of the most prestigious and powerful scores I have worked on. — © Amaal Mallik
The Saina Nehwal film's soundtrack is one of the most prestigious and powerful scores I have worked on.
After working as a producer on many pop, electronica and some soundtrack, incidental music projects, I became more focused on film and TV scores.
I'm fascinated by film scores, especially film scores for children's movies because they have to be able to entertain an audience that isn't interested in music yet.
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
I worked on scores. I went to the musical library in Berlin which is very famous. I discovered that we had scores of Beethoven, printed scores of Beethoven, that are full of mistakes. Not the wrong or false notes, but the wrong dynamic, understandable things.
Americans, they have an incredible operatic tradition: the Metropolitan Opera House is - if not the most prestigious - one of the most prestigious opera houses in the world for over 100 years.
My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.
I was asked by a golfer how to lower his scores. I replied start playing 9 holes instead of 18. I worked for me, it cut my scores in half.
Music scores your life. You interact with it. It becomes the soundtrack to that one summer with that one girl.
I grew up on film scores and scores from films.
Most film scores have one vibe, and they stick with it.
Music scores your life. You interact with it. You listen to it in the car. It becomes the soundtrack to that one summer with that one girl.
There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.
The BBC provides the commentary on our lives, the soundtrack of the nation. It is one of the most powerful unifying forces in the United Kingdom today.
Music is as integral to me as my own DNA. My life has become a continual soundtrack, with music underscoring the most powerful and even the most banal moments of my life.
So, my first film with Karthik was Pizza,' and that in itself was like a dream. I would call it one of my most favorite scores.
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