A Quote by Amaal Mallik
I will always look to approach every project like it's my first.
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For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
I approach each project with a new insecurity, almost like the first project I ever did, and I get the sweats, I go in and start working, I'm not sure where I'm going.
I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.
I always look forward to the next project. That is one of the wonderful things about architecture - you always can hope for another project to design.
Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.
Every single project deserves a different approach.
Every play I do, every book I write, every painting I paint, I will struggle with. I don't know what it's like for a project to come easy.
The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
There's always a moment that tilts the scales of the project, and it's always different in every project.
Every project I got, whether I was playing a friend or doing television, I just wanted to prove myself: every single take, cue, and rehearsal is an audition. That's my approach.
Whenever someone has an unorthodox approach, different to what a standard boxer would look like, they write it off as being bad. They never seem to look at the normal approach to boxing and think that it might be slightly outdated.
God will look to every soul like its first love because He is its first love.
For me, everything is still possible and I am as determined as ever. I believe first that the project of a people does not die. It is the project of freedom for a people, it is a project of sovereignty. And since the nation exists, it has the right to its own state. I will work to advance it in that direction.
When you go back and look at what people say about my essays, they're always going, 'What is this?' Because they're not exactly like other people's essays... The approach is not at all the recognized approach of a non-fiction writer. It's not linear. It isn't pyramidally based on fact.
I approach every week the same. I think I've always tried to be very professional to how I approach the game, my preparation. Every game is important.
I still approach every film and role like it's my first.
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