A Quote by Amaal Mallik
Kailash Surendranath believed in me and my talent when I was just 19, and he gave me my first big commercial and thereafter worked with me on 25 jingles which really made people notice my work in the ad world.
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My parents were my first bosses - they gave me my moral compass, goals, and first recognition. My dad worked 25 years for Rolls Royce in England. He taught me the value of working someplace where you can make a difference - not chasing money but doing work that you found purposeful.
Honestly, being a 5'11 quarterback, not too many people think that you can play in the National Football League. And so for me, you know, I knew that my height doesn't define my skill set, you know? I believed in my talent. I believed in what God gave me. I believed in the knowledge that I have of the game.
Honestly, being a 5'11" quarterback, not too many people think that you can play in the National Football League. And so for me, you know, I knew that my height doesn't define my skill set, you know? I believed in my talent. I believed in what God gave me. I believed in the knowledge that I have of the game.
I think what saved me, as a writer, is that there are really two breaking points in my life. One was when I was 19 and my mother died, and one was when I was 31 and my first child was born. And that sort of gave me a kind of rebirth that I think has been invaluable to me as a novelist, in terms of seeing the world anew.
I'm really thankful for the opportunity the Marlins gave me. They drafted me in 2010 and gave me a chance to play in the big leagues. I made lifelong friends there, and I've got a lot of great memories.
The good Lord gave me something, and he gave me intensity. He gave me a body, and he gave me the work and how hard I worked the body the way that it was.
What parents and teachers and caregivers did with me that actually worked and a lot of that was the old fashion 50s upbringing. They just gave the instruction when I did something wrong - life was more structured. So basically it's [my work] based on experiences with me that worked and it was teachers and parents that made me have those experiences.
Sir Alex has a special place in my life. In fact, he was the main man. I was not famous, I was not a star. I arrived at Old Trafford as just another young talent. He was the one who told me to do all the right things. He gave me the opportunity to play in one of the biggest clubs in the world. So he is one of the most important people in the world for me. I worked with Sir Alex for a few years and I know he deserves everything that he has achieved in his career. He works so hard, he is clever, he has experience, he is a human guy.
I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.
There was another thing I heartily disbelieved in - work. Work, it seemed to me even at the threshold of life, is an activity reserved for the dullard. It is the very opposite of creation, which is play… The part of me which was given up to work, which enabled my wife and child to live in the manner which they unthinkingly demanded, this part of me which kept the wheel turning - a completely fatuous, ego-centric notion! - was the least part of me. I gave nothing to the world in fulfilling the function of breadwinner; the world exacted its tribute of me, that was all.
I've stayed put in the neighborhood where I first got my start and will never forget the people that believed in me and gave me my first chance.
I'm very lucky that I'm not a photographer for hire - people hire me for me. I go into every commercial work with an art focus, with that lens; every brand I've worked for just lets me do whatever I want to do. I have full creative freedom.
For my first race, when I was 19, I'd bought a 600cc bike. And that was far too big for me, really. I shouldn't have really had something like that. But anyway, I went and raced, and I crashed. In my very first race! But I never gave in. I kept going back and back and back.
I was asked to do a test commercial shoot for an Apple product which didn't mean much to me at the time. Some music player that holds all your songs. Sounded cool to me and I never gave up an opportunity to work, especially with the possibility of it turning into a national commercial. Coolest job I did in that time.
Before all this happened, I always used to see my stammer as being a negative, all my life, but then when I went on 'Pop Idol,' and the first time I saw it on television, it was really, really bad, but also it made me stand out; it made people remember me. So for the first time in my life, it worked to my advantage.
I never look a gift horse in the mouth. And I've been really, really lucky. I'm aware of that. And my career has been given to me by the people I've worked with, no question. The actors, the directors, the cinematographers, the writers, all of whom gave me the opportunity to work in the way that I have and I'm really grateful.
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