A Quote by Amaal Mallik
I am one of the few composers who has been lucky enough to manage to do songs with female singers, despite the labels and producers wanting otherwise. They don't believe that songs with female voices can work and often push us to work with male singers.
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I really like female singers; I've got zero interest in working with male singers. Any male voice I need to do, I can do.
The male gay community seems to be very into female singers. I think it could be the songs we sing. They're more open with their feelings. And they have good taste!
I feel blessed and lucky that some of the film industry's most magical and iconic songs where legendary composers and singers have collaborated have been filmed on me.
I actually prefer female voices to listen to, mostly, but among the male singers whose voices I like are Jeff Buckley, Art Garfunkel, that sort of voice. Contemporary crooners rather than rockers.
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
I think I've been able to connect with people and their emotions through my songs. I feel honoured that despite having so many talented singers around, my work is always appreciated.
It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.
I've never associated myself with other singers, certainly not female singers.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
I've been lucky, because people have done such great versions of my songs, and I've worked with the best singers ever, and I'm lucky that way.
Yes, because as composers we are looking for textured voices, and often the singers we find are not trained to perform in a studio environment. So we need technology to doctor their voices to suit the format.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
Our music industry is male-driven. There are fewer opportunities for female singers.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
These days music composers are singing themselves or making other male artistes sing. It is very tough to find a female single in a movie album and even if it is, it is just a female version of a song sung by a male artiste.
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