A Quote by Amanda Foreman
I want my children to see what all my work leads to.
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It seems that people are more comfortable with the private outrage about gay marriage, because when you are outraged about this issue, it requires no work. There's no work that you have to do when you're outraged about a gay couple. There is work that you have to do if you want to see black fathers raise their children. There is work that you have to do if you want to see a school develop.
If we believe in the free market, then that leads to the big corporations taking power, that leads to this competition to lower wages, and that leads to precarious work.
I know I'm missing something, but those who have children are missing what I get to do. And frankly, I'm probably missing more of what I don't want than what I do. Some may call me selfish or narcissistic, but I don't want to spend my time going to PTA meetings. The only way I could have children and do the work I do is to have a househusband - and I'm not attracted to a househusband. I'd rather affect children with the work I do.
I want our children's children to be free to walk safely down the street, girls to attend school, and women to work. I hope we continue to have freedom to wear what we want, worship how we want, study what we want, publish what we want while assuming personal responsibility for one's moral character.
It was a cherished experience. I feel I got the chance to see the inner workings of the grand order of things. In the overall scheme of things, it proves that men can do about anything they want to if they work hard enough at it, and I knew that I could do it . . . and that leads, of course, to a strong suspicion that everybody else can do it if they want to.
Working with children is very different than the way in which I work with adults. One has to work just as much with children as with adults, but the manner of work is very different. I never tell the children the actual truth of the thing that I want them to act.
The children whom nobody leads by the hand are the children who know they are children.
I said to my children, 'I'm going to work and do everything that I can do to see that you get a good education. I don't ever want you to forget that there are millions of God's children who will not and cannot get a good education, and I don't want you feeling that you are better than they are. For you will never be what you ought to be until they are what they ought to be.
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
If you work and you want to see your children, something's got to give and for me, it's my social life.
Blocking material leads to censorship. That goes for pornography and bestiality, too. If you don't like it, don't look at it... Every time I hear someone say, I want to protect the children, I want to pull my hair out.
You just have to keep trying to do good work, and hope that it leads to more good work. I want to look back on my career and be proud of the work, and be proud that I tried everything. Yes, I want to look back and know that I was terrible at a variety of things.
I feel really lucky that I'm able to pursue the work that I love. I want my children to see that. I want them to have that for themselves, something that they love, that they do, that they pursue in their lives as a way of growing and learning.
I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.
I want children to look at me and see my face and I want them to see their faces reflected in mine.
For me, poetry has a strong link to my filmmaking. My films learn from my poetry. In poetry, you're free. You start in the corner and you don't know where it leads you. I have no message, I have nothing I want to tell, I just start and I see where it leads, and it's a big surprise and relief if it's good. That's the ideal state for filmmaking.
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