A Quote by Amanda Lepore
Rather than emulate the girls I grew up with who made fun of me, I decided I wanted to look like a movie star. It was like an escape.
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When I grew up, you wanted to look like Marlene Dietrich, Betty Grable. Fortunately, I didn't know that I really wanted to look like Lena Horne. When I grew up... black stars were stigmatized. Nobody wanted to look like Lena Horne.
Hair is very, very distinctive. I started that with that boxing movie I did, The Great White Hype. The director wanted me to look like Don King, and everybody knew who Don King was. But I didn't want to be Don King. I wanted the man to be Rev. Fred Sultan, so I decided to make him look like Julius Caesar. And from that point on, I just decided, I had this great wig-maker, so I just found hairstyles that I felt would be distinctive for every character. Like an adventure.
I used to look like an American flag. The Padre uniform makes me look like a taco. Actually, the transition has been great. I've made 25 new friends, and I never thought I wanted to be anything other than a Dodger, but this is fun.
I used to look like an American flag. The Padre uniform makes me look like a taco. Actually, the transition has been great. Ive made 25 new friends, and I never thought I wanted to be anything other than a Dodger, but this is fun.
I think girls who looked like me or were from the poorer area where I'm from in Australia, like you don't think "Oh, I'm going to be a movie star." You just didn't think that would happen to girls like me where I'm from.
I made sure that instead of people making fun of me, like every comedian probably says, I made fun of myself first so they would get distracted and just laugh. I was pretty brutally picked on for a while growing up. It was always the really pretty girls, the hot girls and then there was me. So I had to do something to get any sort of attention.
I just wanted to be who I was, which was like so many other girls I knew. We grew up in the city, had a hard edge and obstacles to overcome, but we were still young and beautiful. I didn't want to be all dressed up, all made up - I wanted to be myself, which hadn't been done before.
...one day I was speculating on how I would like to look back on life and I decided I wanted to feel that I was a photographer rather than a teacher. As simple as that.
In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel.
My dad grew up in western Nebraska. I'd visit all the time as a kid, and it's very much like the Wild West. It felt to me like a cowboy movie. Stuff like that made me become this dreamer at a young age.
What's important to me is that [photographs] have the appearance of being documents of what goes on. I like the illusion of veracity, that they look like life rather than movie stills. I don't want them to look fabricated.
I'm one of those girls who enjoys the fashion, enjoys dressing up, enjoys going to these events. They're fun for me. It's like playing a different side of my personality every time, so I look at it as like a fun element of what we do.
I like Star Wars, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies.
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
If you grew up watching 'Star Wars' you're like, wow, look at Darth Maul, he has that outfit. And that lightsaber. And he's jumping. When I see stuff, rarely do I forget. And that's what I always wanted to wear.
I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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