A Quote by Amanda Lepore

Well, my dresses are very tight and mostly all made for me - couture, baby. — © Amanda Lepore
Well, my dresses are very tight and mostly all made for me - couture, baby.
I've worn dresses from all different price ranges, and the thing that couture dresses have in common is that the fit is amazing.
To be a couture designer is not only to create dresses but to adapt your line to your private customers. It is why couture is expensive. You are like a doctor.
When I went to the Pro Bowl, I went as a tight end. When I made the All Pro team, I made it as a tight end. When they introduced us and I ran out of the tunnel, they introduced me as a tight end. So how is that possible that now that my career is over, they say, 'Well, he put up stats like a wide receiver?' It's not my fault I was ahead of my time.
Couture is more your own world, they come and buy head-to-toe ­ - they buy the jewelry, bags, coats, dresses, bodies underneath.... But couture is not dead ­ - it's taken another shape.
I am very happy to design haute couture. It's a love story between couture and me.
I'm constantly correcting young people and fashion students in this nation when they say "Well, I do couture." By definition, you don't. You have to be licensed by the government of France to do couture. So don't use that term. You can say that you do one-of-a-kind, you can say it's custom, but you can't say it's couture - because it's inaccurate.
When I was young, especially when I was at school, I thought couture was about big gowns, big hats (that is couture as well, of course) - but my couture is about going near the clothes and having a look at the details. I like people to have a shock in a chic way.
Couture has a lot of issues today. Here in Paris there are oddly so few houses showing. And I'm not talking about the style. I'm talking about the sense of couture and these young actresses that you were talking about - they want long dresses that are not always the most innovative or the most interesting. So it's a bit lost.
It's the ultimate for me not to see how it's made. I find it vulgar when you can distinguish how something is made. I used to be a student at the Chambre Syndicale de la Haute Couture in Paris, and once I got to go to a Saint Laurent couture show. Everyone was always talking about how fabulous the tailoring was, but I was transfixed by this one particular dress. It was just a piece of fabric, but as the model was walking, you didn't know how she got into it, how it closed, where the seams were, and that, for me, was perfection. It stayed with me as a lifelong vision.
For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.
Many women in their 40s make the mistake of wearing clothes that are too tight. Skimpy dresses and tight trousers can make you look older, so get the best fit you can find.
I know quite a few eco designers who build dresses out of old couture gowns. They disassemble, 'upcycle,' and reuse them in extraordinary ways. To me, that's a sustainable way of doing things.
Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.
Very fitted dresses look much better on TV, even though in reality they might be so tight that I can barely move in them.
For me, couture is like 35 mm. film. It's so important we school ourselves to see real quality. In a couture garment, as in a 35 mm. film, you really feel the life of the people who made it. In high-street fashion, it's different. There's no risk.
One baby is a patient baby, and waits indefinitely until its mother is ready to feed it. The other baby is an impatient baby and cries lustily, screams and kicks and makes everybody unpleasant until it is fed. Well, we know perfectly well which baby is attended to first. That is the whole history of politics.
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