A Quote by Amy Heckerling

I'm just not happy with Hollywood. — © Amy Heckerling
I'm just not happy with Hollywood.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
The thing is, I actually feel a lot more comfortable at school just bumming around with my friends than I do at Hollywood parties. But then, I guess you're just never happy with what you have.
I love watching Hollywood movies - I just don't know if I'd be happy doing a Jurassic Park.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
So often, we blame other people when, really, the problem is right down in here. I'm not happy. I don't know what's wrong. If I just had another job, I could be happy. If I just get married, I would be happy. Well if I just wasn't married, I would be happy. Well, if I just had some kids, I'll be happy. I'll be happy when these kids finally grow up and get out of here. If I had a bigger house, I would be happy. Well, I got a big house. Now if I just had a maid to clean, I'd be happy. Well, now if I just had a maid I could get along with better, I'd be happy.
These issues of gender equity and diversity have been ongoing conversations throughout the decades. I remember even when I was just starting in the business in the 1980s. It's not just Hollywood's problem. This is systemic. It's in our country, so what happens in Hollywood is that everything's just magnified because it's out there in the public.
It's lovely that the Hollywood stars are crossing over to Broadway.... There used to be such a dividing line in the country between Hollywood and the theatre and that's just melting away. It's just wonderful right now!
I sort of look at some peers of mine and I think, 'No, you've got it all wrong!' I just want to tell them all to have babies and be happy and not get sucked into that Hollywood thing.
I've never had a particularly good experience in the Hollywood Hills. I love Hollywood, but there's something about the Hills where I'm just like, 'I'm going to just stay at ground level.'
When you are happy you are ordinary, because to be happy is just to be natural. To be miserable is to become extraordinary. Nothing is special in being happy - trees are happy, birds are happy, animals are happy, children are happy. What is special in that? It is just the usual thing in existence. Existence is made of the stuff called happiness. Just look! - can't you see these trees?...so happy. Can't you see the birds singing?...so happily. Happiness has nothing special in it. Happiness is a very ordinary thing.
It's good to be just plain happy, it's a little better to know that you're happy; but to understand that you're happy and to know why and how and still be happy, be happy in the being and the knowing, well that is beyond happiness, that is bliss.
Just as many people flee Hollywood as those who flock to it. Hollywood can be an acquired taste.
I came out to Hollywood when I was just 18, and my dad, he was really into Hollywood and theater and art, and I guess growing up, he exposed me to a lot of culture, and I just started making Super-8 films in high school and decided I wanted to be a filmmaker.
They say that in Hollywood one can't be honest, but I think honesty counts in Hollywood just as much as it does anywhere else. I think it's just too much trouble to be dishonest and keep up with yourself.
Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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