A Quote by Amy Heckerling
Everybody who worked in film misses holding pieces of film, holding it up to the light, and seeing exactly where something was image-wise.
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Steadfastness, that is holding on; patience, that is holding back; expectancy, that is holding the face up; obedience, that is holding one's self in readiness to go or do; listening, that is holding quiet and still so as to hear.
I always liked photography in film - I studied photography growing up. I like the medium of film; I like physically holding 35-mm film. I like the way it looks, the quality when it's projected. I like the way it frames real life.
Holding Eleanor's hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive.
Why is it that, as a culture, we are more comfortable seeing two men holding guns than holding hands?
Holding Eleanor’s hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive. As soon as he touched her, he wondered how he’d gone this long without doing it. He rubbed his thumb through her palm and up her fingers, and was aware of her every breath.
The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.
Just because someone is holding a gun doesn't make an image controversial. It all depends on where you put the gun, who is holding it.
When the Pleiadians speak of letting go, they transmit a letting go energy through our energetic field. As a human being, we've been holding on for lifetimes, really holding on to the illusion strongly, holding on to the shame, the guilt, the sadness, all the things we've lived through, all the experiences we have allowed ourselves to create for ourselves in order to learn. We've held on to the pieces of us - the anger, the frustration and the pain.
When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.
I think that both Luca [ Guadagnino]and I have a kind of resistance to the idea of a film holding a moral message because that would exclude so many people from feeling that it was their film and it's important for a piece of work to feel owned by every member of the audience.
Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
Scientists tracking mirror neurons noticed that a monkey will get excited not just when holding a banana, but also when seeing someone else holding a banana.
I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.
In the south, whether it is a small film or a big film, everybody sees it. So, there is always something for everybody to come, see, and enjoy.
If you're making a film about a band or a songwriter or whomever, there's a publisher, there's a record label, and there are people who are vested interests in that film. But with back-up singers, because they did stuff for everybody, there's no one party that has any vested interest in seeing the story told.
I have one secret tattoo. 'True Romance' is my favourite film of all time and in the film the two lovers get matching tattoos of a cherub holding a heart with a banner in it. They obviously get each other's name in it, but mine is empty and will stay empty.
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