A Quote by Amy Jackson
I am open to any good script and the character I can do justice to.
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I am open to do a Telugu, Tamil or Malayali movie. If I get a good script and good character, I will surely do it.
I am very much open to doing cinematography for any talented filmmaker, if the script is good.
What I look for in a script is the plot point and whether they're strong, obviously, or not, whether the characters are rich or not, and if I can do justice to the character or not. Some movies you look at and the script is so bad that no one can do anything with the script.
I am a firm believer in open justice, and an opponent of closed justice in any normal circumstances. But I am also an opponent of legal purism, and have no time for institutionalised mythmaking - whether from the authoritarian right or the liberal left.
I am always open to any film from any place, given the role and the script is interesting.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
Even on television, it is all about the script of the show and my character. It has nothing to do with whether I am bagging the lead role or any other.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
Love every role to be new, and I always like to bring a freshness to every character I play, but that comes down to the script. So, it's important that it's a good script with good, truthful characters and truthful subjects.
The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.
I am not choosy and would work in any film with a good script.
When you have a lot of people playing different characters, you need to do justice to every character and bring meaning to their presence in the script.
I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
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