A Quote by Amy Jackson

I am very conscious about picking my roles and make sure that they are different. — © Amy Jackson
I am very conscious about picking my roles and make sure that they are different.
I am conscious about not getting typecast, but obviously I have to keep picking up great roles so that I don't get typecast.
The only way I can meet expectations of myself and what I think I am capable of is to make sure my game is in order and I am doing things that allow me to perform at my best, to make sure my training is good, to make sure I am focused on watching the ball and not worried about the external expectations.
We have no proper understanding of the relationship between conscious thought and conscious sensation. The various forms of thought and sensation are underpinned by very different neural mechanisms; so how can the neural correlate of their conscious natures be the same? I don't think we are yet in a position to make such speculations. To make progress, we have to have a good conception of the phenomenology of consciousness, among other things.
I am very conscious that, from the time of The God of Small Things was published 10 years ago, we are in a different world ... which needs to be written about differently, and I really very much want to do that.
I am very conscious that, from the time of 'The God of Small Things' was published 10 years ago, we are in a different world... which needs to be written about differently, and I really very much want to do that.
As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
Some cynical biographer said to me, Make sure it's a good death. Make sure you're not picking someone who just declined.
I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
In a way, I feel I have enough tools and knowledge now that when I build it has a very specific agency that's very conscious. It's no longer speculative; it's really constructed. I'm very interested in how that consciousness, about how I am producing, is working within different conditions. It's like growing up.
I know one thing for sure that Salman Khan has crazy pointers about everybody and he has a very different point of view about things. He would think from every angle and I am always scared of those people who would control my mental balance and just make me doubt myself.
I have tried to look different and play different roles through my life because I am passionate about my work.
If you're about to get a tat, make sure you're 110% sure it's what you want. If you're getting it in a different language make sure it is exactly what you want it to be because there is no going back.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
My idea of an actor is to be different persons with different roles. Every time a script interests me, I look for interesting characters because I intend to completely transport myself into it. This happens only because I am a very greedy actor. I am not part of the rat race because I am living a dream.
'TMOK' is about the very interesting journey of a girl in a different situation, and different stories blend into one film. The film has a lot of emotional depth, and I am sure people will like it.
I did the good priest and the bad and felt that I am getting stereotyped in priest roles. I am not picking them anymore.
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