A Quote by Amy Jackson

I had so much fun working with Akshay, especially in the action scenes. — © Amy Jackson
I had so much fun working with Akshay, especially in the action scenes.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
John Cassavetes was there at night while I was working. After they [with his friends] discussed as much live TV as they felt they needed to, they started improvising scenes just for the fun of it and one of those scenes everybody got very interested in and it turned into Shadows [1959]. That movie was entirely improvised.
They're called 'action scenes' because they do the acting for you. You don't have to act in action scenes. The action does it all for you. It's great.
Akshay is very hard working and disciplined. My dad's journey was also all about hard work and his love for music. I think all these things will come together. Akshay is perfect for Mogul.'
I like comedy when its mixed with action, it's just so much fun to do comedy with a bit of action, its fun to watch and also so much fun to do.
The whole experience of working on this movie was so fun, and I had more fun working on that than I've had on anything else. I had more fun working than on my days off.
I've been spoilt with 'Emmerdale' over the years. I've had a taste of high drama, action, explosive scenes, emotional scenes and the odd bit of comedy with Bernice.
Sometimes you're working in highly emotional scenes and you'll get lost in the moment. You're having fun with your friend at work. It's an opportunity to give to them as much as they've given back to you.
When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
That's the challenging thing with TV; it's not the action scenes per se, and it's not the location scenes and the heavy dialog scenes, but the fact that there is just no let-up; there is no break.
They’re called action scenes because they do the acting for you. You don’t have to act in action scenes.
I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.
Exaggeration can lend action scenes more force, but I like to stick to more realistic figures: They help keep the cool in the action scenes, although they may be not as forceful as the exaggerated ones.
I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
I had so much of fun doing the action for 'Race 3.'
A lot of fans are complaining nowadays of too much shaky cam in action scenes and not being able to see what is going on, but I don't want to disappoint people. I'm a huge admirer of action and I'm very passionate about it. I do believe that a lot of action could be done so much better in general, so I'm a real advocator for pushing things forward in that sense and giving the fans what they want.
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