A Quote by Amy Jackson
I think, whenever you're in the public eye, you're never going to be loved by everybody.
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I'm never really conscious of saying, "I'm going to take on a specific role to combat a certain image in the public eye." I think that's pretty manipulative and transparent to the public anyway.
Most people aren't raised to be hated. We're all raised to be loved. We want to be loved. We're told to do things to be loved and appreciated and liked. We're raised, don't offend anybody, be nice. Everybody wants total acceptance. Everybody wants respect. Everybody wants to be loved, and so when you learn that what you do is going to engender hatred you have to learn to accept that as a sign of success.
I think everybody should have a certain amount of privacy, even though they are in the public eye, no matter who they are.
I think whenever something is - whenever there's something that affects the public good, then there does need to be some form of public oversight.
The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.
Whenever anything 'gay' comes along, everybody wants that thing to somehow be everything to everybody. And usually, it is too gay or not gay enough. There's never the right amount. I think that happens a little bit in the media.
My experience of being on the public platform got more multi-faceted, multi-dimensional, and my place in the public eye, I think, has always been a little more than just what is going on in that time in my life.
I think that the public is in and the public is in big, and the public is not, I don't think going to pull out because the public knows what I said about 1987.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
Christ-as always, the model-never sat back, crossed his arms, and dismissed the annoying, the troublesome, or the unpromising. He never name-called, never judged, never treated a single person with contempt. Christ talked to everybody, he mingled with everybody, he shared his message with everybody, and he also loved everybody. So don't count the cost with anybody either. We don't waste our time with people who don't want what we have to offer. But if they do, one form of martyrdom is to give a listening ear or an understanding smile to all comers.
I loved her music and the fact that she was a classically trained pianist and that her voice was so unique, but what made Nina Simone my hero is that I had never seen anyone in the public eye who looked anything like me at all, ever.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
I think it's really strange for somebody that's probably never been in the public eye. All of a sudden I was 'big time' - boom, it all just happened.
If you're in the public eye and you have young girls who look up to what you do, they're going to look to you for certain cues, so you have to take that as a responsibility, whether you think you deserve it or not.
I can't tell you how important it is for people on the public stage to utilize that stage in a constructive, positive way. When you're in the public eye, you have a decision to make - whether you are going to be an influence or not.
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