A Quote by Ananya Panday
My first reaction to the script is simple - whether I laugh or cry. I like to see a film from an audience's perspective and that is my first reaction.
Related Quotes
You start to find a rhythm and usually if it makes me laugh or comment in the editing room then I knew that's what's going to happen in the audience. That first reaction is usually the right reaction.
My first reaction every time I delve into an episode of history that I don't know very much about is... my first reaction is anger that my teachers never taught me about it.
The first reaction is, get defensive. Second reaction is, what are we going to do about it?
The task is to influence and create a reaction in the audience. In my opinion, any reaction of a human being in the audience, I think this is great. It means we touched the person's soul.
We like reactions - a reaction is walking out on us, a reaction is throwing tomatoes at the stage, that's a healthy psychological reaction.
Watching first nights, though I've seen quite a few by now, is never any better. It's a nerve-racking experience. It's not a question of whether the play goes well or badly. It's not the audience reaction, it's my reaction. I'm rather hostile toward audiences?I don't much care for large bodies of people collected together. Everyone knows that audiences vary enormously; it's a mistake to care too much about them. The thing one should be concerned with is whether the performance has expressed what one set out to express in writing the play. It sometimes does.
People don't come to stadiums only to see results. They come to see a reaction, they want to see we are also human, that we can cry or laugh.
I love people's, like, reactions to things - whether it's, like, a good reaction or a bad reaction.
My first reaction at the very idea of this interview was to refuse to talk about photography. Why dissect and comment a process that is essentially a spontaneous reaction to a surprise?
As an actor, when you're winning the moment over, there's a truth to your intention. You might laugh at it or you might cry at it, but I think your visceral reaction to it is a reaction to the truth of the moment.
In a play, you can adjust your performance to audience reaction, but in a film, it's like you're trapped in a bad dream watching yourself act, and you're in the audience.
In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience
The reaction to any word may be, in an individual, either a mob-reaction or an individual reaction. It is up to the individual to ask himself: Is my reaction individual, or am I merely reacting from my mob-self? When it comes to the so-called obscene words, I should say that hardly one person in a million escapes mob-reaction.
An audience's or individual's reaction to my work is simply their reaction.
The first 'Bad Company' was a kind of reaction to the Vietnam war - or at least a reaction to how Vietnam had entered the cultural life through films and books.
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
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