A Quote by Andrea Suarez Paz

In many points in history films and filmmakers have been banned for political reasons- that's how annoying they can be to oppressing systems, how dangerous. — © Andrea Suarez Paz
In many points in history films and filmmakers have been banned for political reasons- that's how annoying they can be to oppressing systems, how dangerous.
Among the reasons that you go into journalism, I suppose, are some rather idealistic, even foolish reasons. In my case one of the reasons was I wanted to explain how things really work, how political power really works.
How many points, how many races you can win, how many times you be on the podium. That's the name of the game.
How I'm portrayed in films has more to do with the filmmaking and what they need in the story than anything else. I'm the same person I've always been, I just get used in different ways according to the filmmakers' needs - which is fine with me; it makes for great films.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
How many roads must a man walk down, Before you call him a man? How many seas must a white dove sail, Before she sleeps in the sand? Yes, and how many times must the cannon balls fly, Before they're forever banned?
My life has become extremely hard. I am banned on Twitter. I'm banned on Uber. I'm banned on Lyft. I'm banned on Venmo. I'm banned on GoFundMe. I'm banned on PayPal. I'm banned on Uber Eats. I can't even order a sandwich.
In college, in the early 1950s, I began to learn a little about how science works, the secrets of its great success, how rigorous the standards of evidence must be if we are really to know something is true, how many false starts and dead ends have plagued human thinking, how our biases can colour our interpretation of evidence, and how often belief systems widely held and supported by the political, religious and academic hierarchies turn out to be not just slightly in error, but grotesquely wrong.
How is it reasonable that in a country purporting to be a democracy, I am not permitted to speak freely? Why, as a politician, should I be banned from expressing political opinions? Why, as a student of history, can I not present the facts as I see them, without fear of reprisal?
We don't want to be our own niche. We're filmmakers like everybody. How many years in a row are we going to talk about the fact that we make films and we are women? Enough already.
I rarely listen to commercial radio, and when I do, I'm shocked by how many ads there are, and how annoying they are, and how bad the radio station usually is.
Stars, too, were time travelers. How many of these ancient points of light were the last echoes of suns now dead? How many had been born but their light not yet come this far? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize that we were alone? I had always known the sky was full of mysteries - but not until now had I realized how full of them the earth was.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
It will be very exciting to watch how the industry responds to filmmakers getting closer and closer to their audiences - and they must, as for too long it has been quite impossible for filmmakers to actually get anywhere near to revenues arising from their work. Too many middlemen!
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
I'm a storyteller; that is what I do. And I'm particularly interested in history; and in history of a certain era. But what is interesting for me is how many, how many things you see repeated.
I don’t watch a lot of other basketball away from the gym. But I do look at LeBron’s box score. I want to see how many points, rebounds and assists he had, and how he shot from the field. If he had 30 points, nine rebounds and eight assists, I can tell you exactly how he did it, what type of shots he made and who he passed to.
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